Christopher Atkins Quotes
I had a lot of coaching for the movie and no, I have never sung professionally before.
Quotes to Explore
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I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
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One of the best animated films I've seen come out of Disney was the Tarzan movie. I wasn't crazy about the story or the design on Tarzan's face, but the traditional animation was spectacular.
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Adam Sandler is a remarkable movie brand.
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This whole tribal loyalty seems to have gone.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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I'd rather have one good scene in a movie by a great director than a small role in a mediocre movie.
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I really loved 'Witches of Eastwick', the movie with Michelle Pfeiffer and Jack Nicholson and Cher.
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I tried to get a baseball movie made a couple of years ago and I don't think it didn't happen because I was a woman, but because sports movie don't sell internationally.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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I've never done a superhero movie. It's very nice to you as an actor in several worlds to go and to experiment.
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There is a lot of Indian connect in 'Million Dollar Arm'. It is about two Indian boys, and we even shot quite a bit of the movie in India.
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I have a huge promotion: you've heard from me on 'Vantage Point' and also with 'Cyrano Fernandez' – that is a Venezuelan movie that I star in and co-produced, and it's based on the romance of Cyrano de Bergerac. And it's set in a Venezuelan slum. It's a free version of the French play.
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I would really like to do a straight action movie that's hardcore - heavy action, like 'The Expendables' or 'Fast Five.'
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One movie is only one movie. I want to have a lifetime of making films.
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I want to move people, stir something within them that makes them feel. That's what a movie should do and an actor should do, make you feel something. I think that's why people love films so much.
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Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.
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I like the guys who wrote their own stuff and were able to perform it, like Seth Rogen. He popped off so young. When he did 'The 40-Year-Old Virgin,' and he was a co-producer on the movie, I was like, 'Oh my God: that's exactly what I want to do.'
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For me, the greatest thing a movie can do is rivet you while you're watching but also give you something to chew on for days and weeks after you've seen it.
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When you see a movie, they always put the Latino on the bad side or in a tacky way. It's not like that. Latinos are shining like a diamond.
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Nowadays when a person lives somewhere, in a neighborhood, the place is not certified for him. More than likely he will live there sadly and the emptiness which is inside him will expand until it evacuates the entire neighborhood. But if he sees a movie which shows his very neighborhood, it becomes possible for him to live, for a time at least, as a person who is Somewhere and not Anywhere.
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We are beginning to wonder whether a servant girl hasn't the best of it after all. She knows how the salad tastes without the dressing, and she knows how life's lived before it gets to the parlor door.
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When we make records, it's hard to pinpoint one thing that inspires a record. It's usually a number of different things that lead to inspiration or wanting to write something down and share it with someone.
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I like films that are well-written and concise and with not a lot of room for improvisation.
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I had a lot of coaching for the movie and no, I have never sung professionally before.
