Christopher Atkins Quotes
I had a lot of coaching for the movie and no, I have never sung professionally before.
Quotes to Explore
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I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
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One of the best animated films I've seen come out of Disney was the Tarzan movie. I wasn't crazy about the story or the design on Tarzan's face, but the traditional animation was spectacular.
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Adam Sandler is a remarkable movie brand.
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This whole tribal loyalty seems to have gone.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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I'd rather have one good scene in a movie by a great director than a small role in a mediocre movie.
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I really loved 'Witches of Eastwick', the movie with Michelle Pfeiffer and Jack Nicholson and Cher.
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I tried to get a baseball movie made a couple of years ago and I don't think it didn't happen because I was a woman, but because sports movie don't sell internationally.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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I've never done a superhero movie. It's very nice to you as an actor in several worlds to go and to experiment.
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There is a lot of Indian connect in 'Million Dollar Arm'. It is about two Indian boys, and we even shot quite a bit of the movie in India.
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I have a huge promotion: you've heard from me on 'Vantage Point' and also with 'Cyrano Fernandez' – that is a Venezuelan movie that I star in and co-produced, and it's based on the romance of Cyrano de Bergerac. And it's set in a Venezuelan slum. It's a free version of the French play.
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I would really like to do a straight action movie that's hardcore - heavy action, like 'The Expendables' or 'Fast Five.'
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One movie is only one movie. I want to have a lifetime of making films.
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I want to move people, stir something within them that makes them feel. That's what a movie should do and an actor should do, make you feel something. I think that's why people love films so much.
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Everybody in the South loves the one closeted homosexual who's married. It's just too funny to not have in a movie about the South. It's an epidemic. You gotta represent!
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Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.
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I do three things: speaking or teaching, which I enjoy the most, coaching is where I learn everything, and writing is where I reach people.
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I was around computers from birth; we had one of the first Macs, which came out shortly before I was born, and my dad ran a company that wrote computer operating systems. I don't think I have any particular technical skills; I just got a really large head start.
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When you see how people in the developing world react and how they use a camera, you realise how narcissistic we are and how the filming of ourselves and thinking that we're interesting enough to care about is odd.
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Once you realise that heroes die, everything becomes that much more terrifying.
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I had a lot of coaching for the movie and no, I have never sung professionally before.
