Christopher Walken Quotes
An actor really is a kind of intermediary between an audience and the piece, whether it's a play or movie.
Quotes to Explore
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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People always come up to me now and say, 'Watchmen' is the best superhero movie ever made.' I'm always saying 'That's super cool. That's nice of you to say.' But it happens now, more and more and more than it did when it first came out.
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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If you learn the craft, you can make a movie and get by with tricks.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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I would love to do a 'Scream'-type movie.
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Truth be told, actually, my favorite director of the Movie Brats was not Scorsese. Loved him. But my favorite director of the Movie Brats was Brian de Palma. I actually met De Palma right after I'd done 'Reservoir Dogs,' and I was very beside myself.
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A lot of people don't know that I had a special appearance in 'Keratam'; that was my first Telugu film. I only shot for four to five days. When they called me, I said, 'I can't give 60 days for a movie. If you have something for one week or 10 days, then I can accommodate.'
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Once you've been really bad in a movie, there's a certain kind of fearlessness you develop.
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I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
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There is a lot of Indian connect in 'Million Dollar Arm'. It is about two Indian boys, and we even shot quite a bit of the movie in India.
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That's the joy of making a movie: watching all the elements come together.
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I fell in love with the whole process of making a movie. I loved the sets. I loved watching the actors and the crew.
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After you do this for a while, you get used to things not working the way you want them to. There's a job you want, and you don't get it. There's a movie you'd like to get made, and it doesn't get made. You become inured to it.
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If people are talking about your movie and they're like, 'Yeah, it was ok' - that's the last reaction I would want! I would rather people would say, 'Oh, I hated it!' or 'I loved it!' rather than 'Oh, it's ok.'
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I want to move people, stir something within them that makes them feel. That's what a movie should do and an actor should do, make you feel something. I think that's why people love films so much.
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I read the script for 'Somnia' when I was filming 'Oculus,' and I remember calling my manager going, 'I really need to do this movie,' and he's like, 'How about you finish this one first and then you see it?' I was like, 'I don't need to. I don't need to. You need to read this. I need to do this movie. The script is very good.'
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I love the idea of making a movie for kids but it's got to be that, with my take on it.
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Back in the Seventies, we had a romantic, poetic vision of the future, like it was in the movie '2001: A Space Odyssey.' It felt as if everything was still ahead of us.
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I've always worn earplugs, but I'm sure my hearing's not great.
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I love standing on the pitch too much to focus on anything else - if I want to be a coach or something.
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A 90-minute time frame is not long enough to tell a good female story, and that's why long-format television has become so great for female storytelling and for female performers and directors and writers.
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I thought everybody else was doing much better than I was.
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An actor really is a kind of intermediary between an audience and the piece, whether it's a play or movie.
