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My father was a lesson. He had his own bakery, and it was closed one day a week, but he would go anyway. He did it because he really loved his bakery. It wasn't a job.
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There probably aren't a lot of actors my age who tap dance.
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I have made a number of movies that I have never seen. It's not a matter of ego. It's a matter of being disappointed. It's really a shame. It's just as difficult to make a movie that no one cares about as to make a hit.
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I don't usually get to play fathers or grandfathers or uncles. Now that I'm older, maybe I can play people closer to myself. I'd like that.
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They have a kind of Bob Hope and Bing Crosby thing going on.
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Also for me it was different because I play a lot of villains and in this one I play a dad and I play a good guy, basically. He's the Secretary of the Treasury. I never had a job like that.
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Onstage I have a natural chutzpa that audiences like. I'm out there.
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Emotional power is maybe the most valuable thing that an actor can have.
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Usually directors hire me because I'm what they are looking for. But once in a while, and it's very rare, they will hire me and then try to make me over.
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There's something dangerous about what's funny. Jarring and disconcerting. There is a connection between funny and scary.
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I certainly have never been an actor who can play the Everyman guy - or, I don't tend to get those parts. I've tended to play eccentrics. I've played a lot of villains, of course.
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It's interesting - a lot of good actors are good mimes. But I'm terrible. If I tried to do an impression, nobody would know what I was doing.
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Everybody has to be a little lucky, I think.
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No, improvising is wonderful. But, the thing is that you cannot improvise unless you know exactly what you're doing.
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I don't know why people eat so badly. I could eat pasta all the time, but it really is fattening. And I love ice cream, but I can't do that. There was a time, until I was in my mid-forties, when I could eat a whole pizza - and really, no effect.
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I used to love Danish. My father used to make a Boston cream pie. You never see that anymore.
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Improvising is wonderful. But, the thing is that you cannot improvise unless you know exactly what you're doing. That's a kind of paradoxical thing about improvising.
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I like cats a lot. I've always liked cats. They're great company. When they eat, they always leave a little bit at the bottom of the bowl. A dog will polish the bowl, but a cat always leaves a little bit. It's like an offering.
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I love spaghetti. And I like to cook spaghetti. And I used to eat it every day. I weighed thirty pounds more than I do now. You can't - you can't do that.
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I think it's sort of a compliment. Jay Mohr does it in front of me all the time. I've got another friend who does me on his answering machine. When I call him, I hear myself.
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I don't much like being directed. I enjoy being allowed to play.
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I try not to worry about things I can't do anything about.
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I have a theory, that there is a terrific link between what is funny and what is scary. I think there is a very close connection between what frightens people and what makes them laugh. Laughter is a kind of nervousness. Animals don't laugh. Smiling is, anthropologists agree, directly linked to the baring of the teeth.
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I play a lot of, maybe a little bit, cartoonish people. I've been a Bond villain, and I play a lot of villains, people who want to take over something.