Gabriel Byrne Quotes
Quotes to Explore
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Music was a way of rebelling against the whole rah-rah high school thing.
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When I went to drama school, I knew I was at least as talented as other students, but because I was a black man and I wasn't pretty, I knew I would have to work my butt off to be the best that I would be, and to be noticed.
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For the things we have to learn before we can do them, we learn by doing them.
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I acted at school but got very bad parts - things that they'd made up in Shakespeare plays like 'Guard 17' - so I wrote plays and gave myself parts, then I wrote sketches, then I did stand-up. Even in the school nativity I was the emu in the manger.
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I'm trying to learn to smoke, which is rather weird when everyone is trying to stop. I'm not a smoker. But my character only smokes as an affectation.
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I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I've got a good imagination. I went to art school so I understand how to communicate my ideas.
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We emigrated to South Africa and later to Canada so I went to school in several places.
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In school, I was Martha in 'Who's Afraid of Virginia Woolf?' I loved that.
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After Halle Berry does her films and Queen Latifah does her films, it's left to all the black, Latino and Asian actresses to fight over a couple of roles. I opted for some TV. There's just not a ton of work in film.
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I was attending the University of Alberta. I was going to be a high school teacher, like my parents. I failed - no, I didn't fail a class, I just barely passed. I really didn't try. It was Canadian history, through the plays of the time. My God, those were boring plays.
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Men have to descend from their pedestal and learn how to be more broadminded and spiritual.
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The perfect day for me is waking up and having a cup of tea with my kids before I drive them to school; Then, I go into the studio and try and write some music for three or four hours and give up about noon.
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I did a drama degree, went to secretarial college, then got a job with a theatre company in Birmingham. It's been a slow burn, which doesn't seem to have gone out.
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I wanted to be an animator originally. I went to art school; I went to art college and everything. But that screen was just calling me.
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The philosophy of the school room in one generation will be the philosophy of government in the next.
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Teachers need time to engage with colleagues - whether shadowing, mentoring, co-teaching or conferring. They need a voice in school decisions and to be trusted as professionals.
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I want to be a better writer. I want to learn and grow, to know how to tell stories in a different and more challenging way. I've learned it doesn't get easier each time. It actually gets harder.
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I could be happy doing something like architecture. It would involve another couple of years of graduate school, but that's what I studied in college. That's what I always wanted to do.
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Fifty years on from now, Britain will still be the country of long shadows on county grounds, warm beer, invincible green suburbs, dog lovers and pools fillers and, as George Orwell said, 'Old maids bicycling to holy communion through the morning mist' and, if we get our way, Shakespeare will still be read even in school.
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We didn't have much money when I was younger, so I had to collect Coke bottles and cash them in and get a paper route to afford a guitar. That guitar from Sears came with a case and an amp and everything all in one. It was really cool.
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A saboteur in the house of art and a comedienne in the house of art theory, Lawler has spent three decades documenting the secret life of art. Functioning as a kind of one-woman CSI unit, she has photographed pictures and objects in collectors' homes, in galleries, on the walls of auction houses, and off the walls, in museum storage.
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Where belief is painful we are slow to believe.
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Say not, 'I have found the truth,' but rather, 'I have found a truth.'
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I never went to drama school, but I did learn a couple of things along the way.
