Charles Kettering Quotes
Quotes to Explore
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Here's the thing: I left Ion Storm and Eidos in the spring of 2004 frankly because I felt out of place at that company.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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If there's a pool I love to hangout there and layout and get some sun. If I can ever find a second to get some sun, some Vitamin D, I will do so.
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Art is like breathing for me. If I don't do it, I start to choke.
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Rice cakes and peanut butter is my favorite snack in the whole wide world.
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Down time is not the name of the game.
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I am always surprised people are surprised that people haven't read things.
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I'm terribly, horribly shy.
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I could easily go one or two days without realizing that I'm so, so hungry. That's the negative outcome of what I've become.
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My mother insisted that I pursue music. I rented out my father's musical equipment and earned some money. As a child, I wasn't sure about a career goal, but I was always fascinated by electronic gadgets, specially musical equipment.
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He's a threat to win until his brain turns to tapioca.
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After three years in Chicago, I decided to call it a career.
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I'm running because we need change.
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The keys to patience are acceptance and faith. Accept things as they are, and look realistically at the world around you. Have faith in yourself and in the direction you have chosen.
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We want people to listen to records, to a whole body of music. I want you to buy into my life, not just one subject in my life.
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The challenges our state faces must be met with the best solutions and ideas we can muster - and good ideas and good people reside on both sides of the aisle.
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I've been through a lot of beef with other singers, but it's all verbal.
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I'm not at every party; I'm not seen everywhere. That's why people still care about my brand.
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Poetry is a form of mathematics, a highly rigorous relationship with words.
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I've always liked texts that you immediately understand. I suppose the playwrights who really speak to me are Edward Bond, Joe Orton and Harold Pinter. I've been in six different Pinter productions - I love the clarity of his language. He has this way of using words - there's a thrill to them.
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I am completely and utterly hooked to all the great shows on A&E and Court TV that are about small town murder.
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Scarcely anyone who comprehends this theory can escape its magic.
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The Wright brothers flew right through the smoke screen of impossibility.
