Keri Hilson Quotes
Even at my biggest, I want to be writing for other artists. Even at my peak - the highest I can be as an artist - I always want to be keeping my creative juices flowing, keeping money in the bank, putting my intellectual property out there.
Quotes to Explore
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Some borrowers are pretty damn good at fraud.
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My career is a black comedy of sorts. I spent a lot of time explaining myself to various different groups. But more and more, I'm finding that the desire to communicate, which all these audiences share, is a powerful thing.
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I am absolutely and inherently self-destructive in that I am always making sure I'm doing what I want to do.
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It is very important to know who you are. To make decisions. To show who you are.
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I think a lot of people are with the one they're meant to be with. I see it watching my parents because they've been together for so long and are still very much in love. I'm just sort of in awe of that.
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I've always been a rough kid.
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To me, a critic is some loser who has no idea... someone with an opinion. We all have opinions. No offense, but what makes them dictate what is cool and what is not.
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Politics is the womb in which war develops.
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If Dana White can offer a contract that's not one-sided, and it's not cumbersome to the point where we look at it and realize that we can't fight for him, then we'll fight in the UFC.
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We recognize that the arts are an essential part of San Francisco's cultural vitality.
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I'm fascinated by the way Diane Arbus saw things. She came from this fashion background and then twisted it.
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You just have to go to bat and take a swing. And if you're not right for a part, or it goes to a British man, they may remember that you showed up, knew your lines and were good. And maybe they'll call you in for something else.
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I go to all these photo shoots, and each time I figure out something new about myself and what I want to wear.
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Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
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I've played a lot of elegance and refinement, so to do something really down and dirty is a great attraction.
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When you make a movie, you really have to be clever and smart, find something new for the worldwide audience because you aren't making a movie for just France or Germany; it's for everyone in the world.
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I've never had to fend for a child's life, which sounds very terrifying.
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In spite of holidays when I was free to visit London theatres and explore the countryside, I spent four very miserable years as a colonial at an English school.
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I've had the same, full-time assistant and typist for eight or nine years now. She's read everything I've written, she types everything and does a good job, translates it and makes comments.
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I've had money thrown onstage, dollars, couple of five-dollar bills. I took the money, but it wasn't much.
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It used to be that people needed products to survive. Now products need people to survive.
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Even at my biggest, I want to be writing for other artists. Even at my peak - the highest I can be as an artist - I always want to be keeping my creative juices flowing, keeping money in the bank, putting my intellectual property out there.
