Kerby Jean-Raymond Quotes
The work of black creatives seems to always get undermined in one way or another, and that's what this new generation is actively changing by speaking up. We aren't accepting group categorization and group classifications to describe our work anymore - it just leads to group dismissal.
Quotes to Explore
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One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.
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I grew up with Apocalypse Now and Badlands, so I had a real awe thing going.
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I love doing impressions of politicians because the task is always to imagine the private lives of these people whose job it is to project an image of staunch, unflinching leadership and grace, and that's just not how human beings, in their heart of hearts, work.
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No man is a success in business unless he loves his work.
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One of my personal plights in this business is about playing 'The Sassy Black Girl.'
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I was playing a defensive guard in 'My All American' who is a really fast runner, so a lot of my training was running. I wasn't too worried about bulking up because he was supposed to be on the small side.
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I'm shy. I am. I mean, if I get around, you know, in a room of a bunch of people especially I - you know, I don't know or - it takes me a while to warm up. I'm - and the real me, I'm not as witty as, you know, as the comic Wanda. The comic, she's had time to work on some things.
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I think, initially, working on your own is really great because it allows you to just be really free and not worry about how things are perceived or if people are going to think you're an idiot. And once that becomes ingrained, at least for me, I think I'll feel really comfortable to work with other people and still feel that same freedom.
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Outside the walls, among others, is the Soviet Empire. It is malevolent, destructive and expanding. It has swallowed up over half a dozen countries since World War II.
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I worked initially in very low-budget independent films that I often wrote. My early work was all written by myself, and then I adapted 'Tsotsi,' so I was used to the writing process being, in a way, integral to my directing. I felt it really prepared me.
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I was about 11 or 12 when I began to pick up my mother's books.
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I grew up with all these old jazz guys in the '70s in L.A., and they grew up idolizing Charlie Parker, Charles Mingus, Lester Young - all of these incredible musicians.
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In stand-up it really helps to play yourself and talk about your own feelings. You cannot fail to be original if you're just talking about what you think about X, Y and Z. Unless you've got a twin brother who's also a stand-up.
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We did a play of 'Frog and Toad' at my elementary school. And I'm not sure if this is part of the book or it was something that we made up on our own, but I auditioned to play the black hole, which somehow makes sense to me.
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The Democrats are the party that says government will make you smarter, taller, richer, and remove the crabgrass on your lawn. The Republicans are the party that says government doesn't work and then they get elected and prove it.
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One is not idle because one is absorbed. There is both visible and invisible labor. To contemplate is to toil, to think is to do. The crossed arms work, the clasped hands act. The eyes upturned to Heaven are an act of creation.
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I always get the 'goth girl' thing because I wear black. But I don't worship death.
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I think a lot about the private emotions of black people - what we feel and yet is rarely publicly expressed.
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In film, normally what happens is that not many people work more than once. Normally, it breaks couples. It doesn't make them.
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Of course no documentary is completely 'objective.' Every decision you make - who to interview, how to edit, where to hold the camera - imposes a point of view on the film.
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What a wonderful thing a woman is. I can admire what they do even if I don't understand why.
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We were talking about really getting Europe on its feet. It was our hope that there would be a breakdown of trade barriers in Europe first, and then eventually a breakdown internationally, which would help increase trade with Europe.
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The idea that somebody who has done something horrible in a war is not willing to talk about it for 32 years is hardly a shocking idea. Quite the contrary.
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The work of black creatives seems to always get undermined in one way or another, and that's what this new generation is actively changing by speaking up. We aren't accepting group categorization and group classifications to describe our work anymore - it just leads to group dismissal.
