Katherine Dunn Quotes
My lip curls in a snide reflex whenever I hear that a new novel is written from the point of view of a child or a monster, a lunatic or an animal. I immediately expect a nasty coyness of tone, cheesy artifice, the world through cardboard 3-D lenses.

Quotes to Explore
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My mom really inspired me. She has always taught me it's not about us, it's about what we can give back.
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I don't think I have a signature.
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It is something where I think that people need to take a step back and realize how bad these things we are doing really are for our ears. But nobody really thinks about it. We're playing shows every night with music in our ears. That's just the industry.
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After six years without seeing one, I love just seeing a smile - every smile I see gives me hope.
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Even with my wife, I find sharing soup is hard.
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I never got into politics for it to be a career.
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It would make everything I worked for meaningless if baseball is integrated but political parties were segregated.
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What I do find enormously gratifying is the reviews my books get from the American press. They are so on the ball compared to anywhere else. It's so satisfying to get a review that conveys the reader understood precisely what I was trying to get at.
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I don't know how to make Harper and Alloy want me, not just my name.
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The lives of African-Americans in this country are characterized by violence for most of our history. Much of that violence, at least to some extent, you know, done by the very state that's supposed to protect them.
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It's good to be busy on a film set because there is a lot of sitting around, so if you've got two roles to play at one time, then that's great to do.
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In novels, and American novels in particular, it's not just about redemption, it's about forward movement and healing oneself. Americans are very big on getting better.
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I've always done things the hard way. I was born like a piece of tangled yarn. The job is trying to untangle it, and I'll probably go on doing it for the rest of my life.
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I think it's all about the people who listen to your music, and loving playing and writing. Once you've got those two, and they're your main two priorities, then radio and TV and all the other stuff that comes with it will come. But that's not the be-all end-all.
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Learning about factory farms and their horrendous treatment of animals is what made me become vegetarian in the first place. I also support the education of the public on adopting pets from animal shelters or saving homeless animals off the street in lieu of buying them from pet shops.
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I'm like all parents who try to shelter their children.
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The film business creates a large amount of waste, and I'm not immune to waste in the business.
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Contemplation is a luxury of the middle class, the very rich.
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My first film was a movie shot in 1974. I was 18 on that movie set. It was called 'Big Bad Mama.' I turned 19 on the next movie I worked on, which was a black 'Blazing Saddles.' I worked in the art department. It was called 'Darktown Strutters.'
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As an artist, I used to think that my responsibility was to do good work. But I had to learn from the '70s on that being a public figure presents another aspect of responsibility.
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Russia is a perfect partner in this direction.
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I don't expect anybody to know who I am.
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My lip curls in a snide reflex whenever I hear that a new novel is written from the point of view of a child or a monster, a lunatic or an animal. I immediately expect a nasty coyness of tone, cheesy artifice, the world through cardboard 3-D lenses.