Fetty Wap Quotes
People don't really call me a rapper. They call me Mr. 'Trap Queen'. The 'Trap Queen' Guy.
Quotes to Explore
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I feel like I grew up in the circus. I know planes, trains and automobiles. And really talented, weird people.
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If I can create some space that people haven't experienced before and if it stays with them or gives them a dream for the future, that's the kind of structure I seek to create.
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There's a part of me that's always charging ahead. I'm the curious kid, always going to the edge.
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For 'Breaking Bad,' people were with Walter White for 99% of that show, even though that guy is a monster.
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Someone I met years ago explained to me the difference between a personality and an actor, a personality being Eddie Murphy or Roseanne Barr, and an actor being Morgan Freeman and Alfre Woodard or Marlon Brando.
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I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
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One minute, it seemed I had more movie offers than I could handle; the next – no one wanted me.
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It's fun to look at people that are so good at acting that aren't actors, like David Bowie creating a mystique about rock n' roll.
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I see my fans as music lovers. I really love that. There's no age group or demographic. It's people of all ages and backgrounds. Country people and non-country people. I wanted to make music across the board.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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If you're passionate about your work, it makes the people around you want to be involved too.
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As far as actors go, you're not going to find many ballplayers better than me.
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I was very shy, but when I performed, I felt like I was in my own little world. I became more confident. Dancing taught me discipline and to feel comfortable in my own skin.
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I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn't exist without the performance-art element.
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I think it's about not just the crisis you're in, but how do you get to the other side? How do we heal? How do we survive this experience while remaining hopeful instead of filled with despair? That's what interests me.
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To me, it's weird when people review improv at all.
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I don't have a director. The audience directs me.
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Because my parents are Indian, everybody speaks Hindi to me, and I have no idea what they are saying.
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I'm sure you're aware, with the time it takes to put these books together, everything can suddenly start coming out at once even though I wrote anything between one and five years ago.
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I am truly multi-racial. I never knew my biological father. I've always had less information than I would have liked to have had. All I know from my mother is that I have connections to many different cultures.
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Through all of youth I was looking for you without knowing what I was looking for —W. S. Merwin
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When I struggled with a depressive episode in 2013, I realized that I had a glitch in my thinking about my own motivation. I had separated learning and teaching into different concepts.
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Rhythm must have meaning.
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People don't really call me a rapper. They call me Mr. 'Trap Queen'. The 'Trap Queen' Guy.
