Frank Zappa Quotes
Quotes to Explore
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I think there is some credibility to the notion that marriage is an institution. It meant something very different hundreds of years ago when it became the norm for people to go off and pair.
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I was born in Bradford, a city in the north of England that God forgot about. A place where most people never leave, but if they do, they certainly never go back.
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The 'Islam vs. the West' dialogue ceased to be about real people a long time ago.
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With 'Tron,' we had so many crew members around and a stage full of special effects people that know exactly what has to be done in the situations. You're on a stage in sets the whole time.
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Nothing's better than coming away from a film when people don't even recognize you, because you've undergone a total transformation.
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My mom helped me get started when I was younger. I started with singing. An agent saw me singing on stage at the Palm Springs Festival, and recommended I get into acting, so I was like, 'Oh, okay.' I just started from there, singing and acting.
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Feminism remains something that needs to be explained to people.
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My couch is made of cat's hair. The cushions have been obscured, and it's made of salt-and-pepper fur. I can't have visitors. I can't ask people to sit on that couch because they become implicated in the furriness of it, and they're walking around, and it's not fair to people.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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The people are hungry: It is because those in authority eat up too much in taxes.
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The type of music we know as classical music began with rich people hiring musicians or owning them in a way. Without funding, it's very hard to have this experience. Be it state money or private money, there has to be someone dedicated to raising the money.
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I have some friends, and they're super-hipster. And they're like, 'All I wanna do is sing in a jazz bar and to just make it to pay for the rent.' And I'm like, 'Cool... That's not what I wanna do. I want as many people as possible to go to my concert.'
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The two great aims of industrialism - replacement of people by technology and concentration of wealth into the hands of a small plutocracy - seem close to fulfillment.
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There are two types of courage involved with what I did. When it comes to picking up a rifle, millions of people are capable of doing that, as we see in Iraq or Vietnam. But when it comes to risking their careers, or risking being invited to lunch by the establishment, it turns out that's remarkably rare.
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When I'm writing books, something weird happens; and the result is the books contain a large amount of what you could call 'supernaturalism.' As a writer, I find I need that to explain the world I'm writing about.
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As an old-time New Yorker, it's not that I miss the '70s and '80s or whatever. I miss the fact that there was a certain kind of energy that exists when people can live for nothing.
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Maybe I didn't have the childhood people think you should have, but I still went through the ages; I was still a child.
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I think it's really the job of the composer, the artist, the painter, the writer to present people with options. I'm just really reflecting the thoughts and actions around me.
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In a country as large and diverse as America, compromise is how we get things done. It isn't always pretty, but we have to find solutions to our problems that, at the end of the day, most people can live with.
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If you're going to have an exchange of ideas, the only thing you can do is to meet people face-to-face in front of a crowd who may think differently than you do. I mean, that's what democracy is about, isn't it?
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People don't know how heavily involved I am in my own career. I'm on 15 to 25 conference calls every few days strategizing with my team. I think a lot of artists sit back and have it done for them. Sometimes as women in the industry - if you're sexy or like doing sexy things - some people subconsciously negate your brain. They think you're stupid.
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It's so much fun trying to channel my inner four-year-old.
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Fencing is a game of living chess, a match where reflexes only work in combination with intent, and mind and body must work together at every moment.
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I never set out to be weird. It was always other people who called me weird.
