Charlize Theron Quotes
Quotes to Explore
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Nuclear power plants must be prepared to withstand everything from earthquakes to tsunamis, from fires to floods to acts of terrorism.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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Judge of your natural character by what you do in your dreams.
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I don't know for Justin; he's always looking for meaning out of his relationships with people. I don't think he's as trapped into the drug thing as a lot of the others are.
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Sometimes entire categories of craigslist are rendered nearly unusable by spam. Con artists prowl the listings, paying sellers with fake cashier's checks and luring buyers to share their credit card numbers.
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I've learned that for Indian people, the opportunity for us to succeed is very slim. So acting was a great tool for that. And in the process of learning about my culture, I've learned how to connect myself again to my ancestors.
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I don't think any actor can be satisfied. I am still in the learning phase and hope I am always in the learning frame of mind in acting or in anything else that I do. That's what makes life interesting and worth living.
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Once you understand that listeners want to be challenged, then you also understand that you can't take shortcuts.
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If I only had a little humility, I'd be perfect.
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There's a lot of interviews now where nobody seems to talk about anything. Like it's illegal. But it can be fun if you stay involved. Like most conversations.
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I come from a Christian faith. I am not going to give you insight into my particular beliefs.
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I'm a food addict, that's my downfall.
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My parents took me to a movie, and I remember wanting to sit apart from them for some reason. I wanted to be a big boy or whatever. I remember looking up on that screen. It was a movie about medieval knights. All I remember is saying, 'I want to do that. I want to make movies.'
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The act of longing for something will always be more intense than the requiting of it.
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The falsification of scientific data or analysis is always a serious matter.
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Startups on the inside are always badly broken.
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Living in a cultural milieu where the foreign writers most widely available and admired were Russian, I came very late to postwar American writers, and I had great trouble with the canonically exalted white male writers I tried first.
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I realised a long time ago that instrumental music speaks a lot more clearly than English, Spanish, Yiddish, Swahili, any other language. Pure melody goes outside time.
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My greatest thrill was the day Mad magazine spoofed 'Ghost.'
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Over my career, I've had to do a lot of shows that involve stunts, and I so enjoy stunts.
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When I got to the end of this play, I realized I was trying to make Angel do something that had not been justified by the characters and by their story . . .. I kept trying to force it, but that doesn't work. So I had to come to terms with what it meant for me to create a character who doesn't triumph.
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I've tried most of my career to transform myself towards characters.
