Chaske Spencer Quotes
Quotes to Explore
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You go where you think it's good for your work and your soul to go. I need to go someplace where I am reminded about why I wanted to act in the first place, and for me, that's the theater.
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You've got to live your life, you've got to enjoy it.
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All performers get on stage because they need to feel love from an audience. I might appear confident, but those three seconds before I get out there, I'm a mess. But I have to take the risk; otherwise, I'd be miserable and would feel like I wasn't seeing through my personal destiny.
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It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
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I think I did very well against everyone who tried to defend me.
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The promotion of family continuity and stability is a legitimate state interest.
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Sure, I'll have characters drop in and out of books but the main cast of characters always changes. Maybe I'm wrong but I think if had the same joe detective guy or gal, I wouldn't write them as well; I wouldn't do as good a job.
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Now, I don't know how they judge all that, but if anybody in the world deserves to be in the Rock And Roll Hall Of Fame, Ritchie Valens does.
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I take certain steps to make sure I'm relevant artistically. I always have new music and a reason to be on the road. I'm not just playing 'Get By' over and over. I have 12 albums.
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When you get successful, you can do pretty much whatever you want.
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Sound as medium has an incredible elasticity. So, of course, it is tempting for artists of other fields to try something with sounds. Why not? We are living in the age when there is no limit in gathering all forms of art and music to mix it together if you so desire.
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It takes one person to give you a big chance.
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If you look at 'West Side Story,' a lot of those numbers are actually pretty cutty, but the cuts are always musically motivated.
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My Christian Louboutins are also one of the secrets to my not-for-profit success. Here's why - and it's something that everyone who manages employees, whether in a for-profit business or a not-for-profit, should keep in mind: A little extravagance goes a long way.
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I think Hollywood wants to be safe. The things you do first become your calling card, and I think people just sort of go, 'Well, we know he can do that.' They kind of put you in that hole.
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It is every intelligent man's experience that evildoing recoils on the doer sooner or later.
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The thing I don't like about detective stories is looking for criminals.
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Well, it is curious what lasts and what doesn't. Publishing empires and whatnot would pay anything to figure it out. But they can't figure it out.
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I learned that instead of relying on and imitating American music, there is a better chance for an Asian artist to succeed if he or she follows his or her own culture.
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The relationship between East and West needs to be and can be fixed via pop culture.
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I really chess-play culture shifts. I'm really good at understanding what worldwide cell-phone use means. That's what I do. I try to picture it three to four to five steps ahead.
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For me, baseball is the most nourishing game outside of literature. They both are re-tellings of human experience.
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I'm constantly trying to work on the person that I am and work on my shortcomings, and I guess I want people to know that it's ok to be a work in progress, as long as you keep trying to figure it out. But that search and that discovery is what makes life kind of rich, and it's what makes life rich... period.
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It's just amazing to do something that's part of a pop culture phenomenon.
