Kathi Appelt Quotes
On the craft level, writing for children is not so different from writing for adults. You still have to have a story that moves forward. You still have to have the tools of the trade down. The difference arises in the knowledge of who you're writing for. This isn't necessary true of writing for adults.
Quotes to Explore
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Golf was never a religion to me.
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It seems to me that trying to live without friends is like milking a bear to get cream for your morning coffee. It is a whole lot of trouble, and then not worth much after you get it.
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People look to time in expectation that it will eventually make them happy, but you cannot find true happiness by looking toward the future.
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You know, it's a hugely difficult thing to take any work of art or drawing and say 'make that real.'
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This life and this job and this position that I'm put in, it forces you to grow up quick. I definitely got dropped in the deep end.
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Is there any more encouraging sign than to see an Indian, who has never been to a university, like our friend Mr. Asutosh Dey here, for example, carrying out original work and finding it recognized by the foremost societies of the world?
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And then the conditions of safety - or lack of safety - for teachers in public schools, and the disparity between public schools and private schools is shameful.
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I learned that despite having years and years of experience in math and computer science and so on, I didn't really know how to code until I formed a company.
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I do no writing while I'm in Belgrade visiting my grandma.
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Jews had an outsider's eye on a lot of Western tradition.
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I don't use drugs, my dreams are frightening enough.
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I don't know how to make Harper and Alloy want me, not just my name.
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No person, not even a congressman, is above the law.
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I didn't realize that winning the Olympics at age 14 automatically put me in the category of being a celebrity.
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The woman who purposely destroys her unborn child is guilty of murder. With us there is no nice enquiry as to its being formed or unformed.
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There have been times - and not just on 'The Newsroom,' but on 'The West Wing,' 'Sports Night,' 'Studio 60'... - where it was hard to look the cast and crew in the eye, when I put a script on the table that I knew just wasn't good enough.
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My mom is painfully sweet; she's from Nebraska.
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At the risk of sounding like Virginia Woolf, I could live on £700 a year.
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I'm always listening and watching; my ear is like a boom mike. And judging, frankly. Constantly judging.
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I'd like to be curvier.
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Do not interrogate silence because silence is mute; do not expect anything from the gods, nor should you try to bribe them with gifts, because it is in ourselves that we must look for liberation.
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A friend of mine encouraged me to try rapping, so I started experimenting with it, writing verses, seeing if I could fit an extra word or syllable into each line without tripping myself up.
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I was wrapping up my stint on 'Daredevil' co-writing with Andy Diggle during the Shadowland story, when Marvel asked if I was interested in doing something else with DD but a bit different. When they explained the purpose of the 'Season One' books, I was intrigued - I'm a big advocate of books for people new to the medium - and said yes.
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On the craft level, writing for children is not so different from writing for adults. You still have to have a story that moves forward. You still have to have the tools of the trade down. The difference arises in the knowledge of who you're writing for. This isn't necessary true of writing for adults.
