Dolores O'Riordan Quotes
When I was about 14, I got a tacky keyboard for 250 pounds and put on a drum machine and found I could write a song.
Quotes to Explore
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Every one of my regrets has produced a song I'm proud of.
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I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
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There was this song I was working on called 'Swing.' It was almost finished, but there was something missing, and I couldn't for the life of me figure it out. And then this little piece of information - this little tweet - came to the forefront of my mind.
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From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
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I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
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There are no rules to writing a song.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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Toil without song is like a weary journey without an end.
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If someone had told me when I was a kid I'd get an ovation from Frank Sinatra! One time, I did a song called 'I Am A Singer', but I rewrote the words for Frank. I was in tears and, when he got up, so was he.
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It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. If I start writing a song, and you try to have a conversation with me, you're a bad person.
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I can always get better. A lot of my ex-girlfriends don't think I'm funny.
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Sometimes videos make a bad song very tight.
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One of my favorite albums in the world is Bruce Springsteen's 'Nebraska.' Each song has this very distinct character who has something profound to say.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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What you hear about the band is always going to be more disturbing than any particular song.
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You hear ten seconds of a song, and you know it's OutKast. There's a strangeness about it because it's catchy, but it's not just pop for the sake of pop. They're pushing the envelope.
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I can write for weeks or months sometimes and edit it down to a song. I feel like it's a piece of music that will hopefully stand the test of time and hopefully capture a moment in history if I'm doing it correctly and honestly.
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From wonder into wonder existence opens.
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You can have a lot of unhappiness by not having money, but the reverse is no guarantee of happiness.
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Before the Kennedys were elected, there had been older Presidents. Then here was this devastatingly attractive young couple with two beautiful children. They were so intelligent, graceful, gracious and funny. They enjoyed life so much. That's what caught America's eye.
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When I was about 14, I got a tacky keyboard for 250 pounds and put on a drum machine and found I could write a song.
