Dolores O'Riordan Quotes
I was 19 when I wrote 'Dreams,' and that would have been when it started to happen. The band got signed, and I was probably beginning to see different things besides my small town of Ballybricken.
Quotes to Explore
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I don't speak Spanish. I understand enough of it, having spent some time running Telemundo, and I put in a lot of time in Spain during the Barcelona Olympics. But I don't pretend to speak Spanish, and I don't want anyone to think that I can.
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We're pretty good at putting bunts down and really good at hitting. I know as a pitcher, when you face a pitcher you know can hit, that's not fun. I think taking pride in that, and being able to hit helps your own cause.
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I never wanted to give up my given name. I'm proud of it, but the only problem was that no one remembered it. It was just a little too awkward, and they mispronounced it so frequently.
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I always said there's no way I'd work in America because I'm too weird and I'm too old, but somehow it's happened.
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Because the show is popular, people do recognize us on the streets.
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Anyone in the comedy world knows that Horatio Sanz and Chris Parnell are two of the funniest guys around.
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I was trying to take the band in a direction that I thought was appropriate, and Roth was trying to take the band in more of a Las Vegas direction. And there he is.
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I really like to experiment. That's the only way I can work. It's instinctive.
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As someone who works from home, my top style tip is to make sure you get dressed in the morning.
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I think when I first straightened my hair, I was a teenager. I don't believe that I was consciously doing it to look white or to be on television. It never crossed my mind. All of the girls in my neighborhood got perms and their hair straightened. But I know that historically it was to assimilate and there are some people who do it for that reason.
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French fries. I love them. Some people are chocolate and sweets people. I love French fries. That and caviar.
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Our workforce is very co-operative, very flexible, easy to work with and one of the big selling points. The idea that Britain is still back in the labour market of the '70s is utterly bizarre.
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I'm from a reserve. A reservation. So I know everybody. Everybody knows me.
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I think every age has a medium that talks to it more eloquently than the others. In the 19th century it was symphonic music and the novel. For various technical and artistic reasons, film became that eloquent medium for the 20th century.
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I think Isambard Kingdom Brunel would be a good chap to have supper with. Anyone who builds a railway and then builds a steamship when he gets to Bristol and can't go any further must be a good chap.
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It was a scene I was really looking forward to, and one that I embraced, and when we were filming it, George got closer and closer and closer with that camera - he was practically up my nose for the final shot. So I knew it was a moment that I had to do my best to get right.
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That's what George wrote! He wrote it. Why change it? There was this European company that I was speaking about awhile ago - course, didn't nobody know what Porgy was.
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Tennyson seems to be the patron saint of the wishy washies, which is perhaps why I admire him so much, not only as a poet, but as a man.
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The particular refugee camp we were in, they were hungry for play, they were hungry for any kind of normalcy.
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My wife and I volunteer for the Guide Dog Foundation, and we have two giant labs.
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I use a little brush only for really small details. Over the years, I've started to use a much larger brush.
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Everybody could use the money, but you don't play for it - you play with your heart - and that's a big difference you see in Barcelona. Everybody wants to play there; everybody wants to enjoy themselves. It's maybe a small percentage, but maybe it's the difference.
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Nobody is talking about the different - until you raised the issue.
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I was 19 when I wrote 'Dreams,' and that would have been when it started to happen. The band got signed, and I was probably beginning to see different things besides my small town of Ballybricken.
