Trent Reznor Quotes
Anyone who's an executive at a record label does not understand what the Internet is, how it works, how people use it, how fans and consumers interact - no idea. I'm surprised they know how to use e-mail.
Quotes to Explore
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We continue to be bullish on China.
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I'm very proud to be a woman - you're part of a tribe. Automatically, you feel connected to another woman when you meet them. That's really special.
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I have to protect myself because people think that because you come into 25 million homes every week, they know you. I walk the line between being gracious and being rude.
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Any conception of human well-being you could plausibly have, the Taliban patently fails to maximize it.
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Overall, the anarchy was the most creative of all periods of Japanese culture for in it there appeared the greatest landscape painting, the culmination of the skill of landscape gardening and the arts of flower arrangement, and the No drama.
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Customers want new things, and the way that they get them isn't written in stone.
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I taught Sandra Bullock when no one knew who she was. I talked her out of quitting. I put her in a showcase.
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If you ever meet an actor who's the child of actors, they'll never tell you that they wanted to be a star. But what I did realise early on was that I just wanted to be in that tribe.
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I am not a great fan of computers. I do watch videos and analyse which batsman is playing how. Batsmen can play different shots on different days. A batsman may not play cover drives well, but if he connects with two such shots, he starts playing the drive well on that day.
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Any competent actor could have done what I did.
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Movies I liked growing up were like Francis Ford Coppolla movies and Scorsese movies.
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In India, by and large, women are not educated enough to be bread winners and, within the moorings of traditional cultures, do not have the courage and the capacity to leave the matrimonial home. Given the inequality prevalent in family structures, the woman's right to opt out is suicidal.
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In 1942, everyone was ready to go and fight for the good guys. It was so simple.
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Every poor designer can go with things that are popular at the moment.
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As long as my family's OK, I'll be fine.
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I think there's nothing that can drive you more than a huge dream or a huge challenge.
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You remember Donnie Brasco? It's the most notorious undercover movie ever; it's so street and so real. If you ever imagined yourself doing cop work, you imagined yourself getting pushed to that limit - seeing the furthest you can push yourself while still upholding the law.
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I wear a lot of wigs as Jacques Mesrine. He'd wear multiple wigs and take them off one at a time to rob three banks in one hour.
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I walk beyond town, many of these nights, to stand under the high autumnal stars, look upward and wonder.
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It wasn't until the late '70s that a lot of people knew me.
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People ask me, 'Is there pressure to win a Tony for your next one?' I've got three on my mantelpiece; I'm good. If that's the end of the story, I'm fine.
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I'm really interested in the idea of anomynity and familiarity. And sunglasses, you know, are so indicatitve of that. I mean, they're worn by some people to hide themselves. But they're also a fashion statement, meant to be noticed. So there's a dichotomy there.
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I will say, though, that San Francisco is a very friendly city. It's the kind of place where people smile at you and you can strike up conversations on the street, so there's always an adjustment when I come back to New York. If I smile at someone on the street in New York, then they think there's something up - like, "Why is she smiling?"
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Anyone who's an executive at a record label does not understand what the Internet is, how it works, how people use it, how fans and consumers interact - no idea. I'm surprised they know how to use e-mail.
