Marion Cotillard Quotes
There is something strange about me. I don't ever feel at ease in a group of people. I have to fight hard to overcome my fears.
Quotes to Explore
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This was just one of many times God has spared me.
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I grew up watching Super J-Cup tournaments and things like that, and those were pretty cool.
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At the end of the day, I'd love to see children stop begging their parents to go to the circus. That's what would make me most happy.
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I've always thought of fat as just a descriptive word.
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I always had dreams as a kid. I definitely sat at home and watched the Oscars every year and got emotional every year at everyone's speeches.
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My label understands that I am really attached to Malaysia, that I come home a lot.
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I even lived on campus to get the college experience. I had five roommates and I still keep in touch with them while I'm on the road.
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I was a pop freak. I love music. Of course, I knew soul because I grew up in it. Writing it and everything. I love soul. But I love a tune that has some meat in it. Something I could hang my hat on. Because music is universal. Therefore, I felt no boundaries.
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Man knows so much and does so little.
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I am not an oligarch. I am a servant and I try to align my interests and those of my investors.
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I'm not a god - I do bad things.
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I like to leave a film open-ended, with a lingering feeling. I'll not do sequels of any of my films till I have subjects to explore.
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I think '80s pop music subconsciously informs what I'm doing.
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The cruelest thing a man can do to a woman is to portray her as perfection.
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There's no way to know the motives of another person totally, even a person that you know very well.
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I've been around the bend in corporations.
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What's important is to be able to see yourself, I think, as having commonality with other people and not determine, because of your good luck, that everybody is less significant, less interesting, less important than you are.
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I don't see a lot of nature in L.A. Then again, I don't see a lot when I go back to St. Louis, either.
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My operas and my theatre works are very formal pieces.
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My obsessions stay the same - historical memory and historical erasure. I am particularly interested in the Americas and how a history that is rooted in colonialism, the language and iconography of empire, disenfranchisement, the enslavement of peoples, and the way that people were sectioned off because of blood.
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Every day carries with it a responsibility.
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I'm not an easygoing guy as a director.
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Happiness, true happiness, is an inner quality. It is a state of mind. If your mind is at peace, you are happy. If your mind is at peace, but you have nothing else, you can be happy. If you have everything the world can give - pleasure, possessions, power - but lack peace of mind, you can never be happy.
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There is something strange about me. I don't ever feel at ease in a group of people. I have to fight hard to overcome my fears.
