R. Buckminster Fuller Quotes
Quotes to Explore
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You really are being quite foolish to smoke.
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The breaking wave and the muscle as it contracts obey the same law. Delicate line gathers the body's total strength in a bold balance. Shall my soul meet so severe a curve, journeying on its way to form?
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As an actor, you read so many scripts and parts written for Asian-specific characters, and you see a lot of stereotypes and a lot of one-note characters, especially in comedy.
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Every country can be defined through their food, their music and their language. That's the soul of a country.
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I want to toy around with producing a Broadway show.
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Yeah, I'd like to get the girl and at least make it through the film.
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Change is inevitable, and you can't stop that change. You say, 'Wait, stop,' and it just drives right over you.
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The more constraints one imposes, the more one frees one's self. And the arbitrariness of the constraint serves only to obtain precision of execution.
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I look around my house, and everything except the kids and dogs was made in China. And I'm not sure about the kids. They have brown eyes and small noses.
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I did a shoot with massive iguanas in Costa Rica when I was modeling back then. They were like little dinosaurs, and they sat right across my arms and by my face. The guy told me not to make any sudden movements because they had enormous claws. The guy said he would rip my skin if he attacked.
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We panic if there's two centimeters of snow in London.
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The more that Japanese players go to the big leagues to play and succeed, the more that will serve to inspire young kids in Japan to want to become baseball players when they grow up.
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It is the woman - nearly always - in spite of all the advances of modern feminism, who still takes responsibility for the bulk of the chores, as well as doing her paid job. This is true even in households where men try to be unselfish and to do their share.
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I got to dress up in funny clothes and run around New Zealand with a bow and arrow for 18 months, how bad could that be?
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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When I got '227' and broke out from the rest of the cast, I became a workaholic, and I was very lonely.
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When you're listening to radio and hear the same 20 songs over and over and over, you want a break from it. Sometimes you don't want to hear something that sounds just like everything else on the radio. Eventually, if you hear the same sounds and the same musicians and the same mixes and all of that, it will start to sound like elevator music.
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I've lived in New York for 40 years. I came right after college.
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Maven is very much a haunting presence in 'Glass Sword.' His influence is everywhere, and he dogs Mare and Cal like no other. He's my favorite character to write because he's so complex, but also because he affects everyone else so deeply. He's kind of like the source of gravity. Everyone moves around him and what he's done.
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I'm quite British; I've got big, flat feet, and I can't wear heels. I've got very, very pale Celtic skin, so my legs are always a frightening blue color. So when you take out clothes that reveal your legs, shoes that have any kind of heel, no shop will actually take my money.
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I am a little extrovert.
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It's jarring to live in a world where every person feels his life will only get better when you came from a world where many rightfully believe that things have become worse. And I've suspected that this optimism blinds many in Silicon Valley to the real struggles in other parts of the country. So I decided to move home to Ohio.
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I need my natural laziness to be counteracted by obsession in order to do anything.
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Man knows so much and does so little.
