Marion Milner Quotes
Moments when the original 'poet' in each of us created the outside world for us, by finding the familiar in the unfamiliar, are perhaps forgotten by most people; or else they are guarded in some secret place of memory because they were too much like visitations by the gods to be mixed with everyday thinking.
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Quotes to Explore
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We have to challenge the whole idea that it's acceptable for a society like Britain to have such a significant number of people who do not work one day of the week and don't have any possibility of improving the quality of their lives.
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I play Nitin Sawhney's 'Letting Go' repeatedly, nonstop. I find it transformative. I'm so glad iPods were invented so I didn't have to drive everyone around me mad with the repetition.
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Letters are like wine; if they are sound they ripen with keeping. A man should lay down letters as he does a cellar of wine.
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Leaders should always expect the very best of those around them. They know that people can change and grow.
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It's in literature that true life can be found. It's under the mask of fiction that you can tell the truth.
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I don't know how to make Harper and Alloy want me, not just my name.
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Futurists don't consider overpopulation one of the issues of the future. They consider it the issue of the future.
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Boning is a pain, but it makes such a majestic chicken.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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Some musicians I know are incredible fathers. Like Keith Richards. A fantastic dad.
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Every single administration in American political history has put cronies and pals and donors into political positions. But normally those people become the ambassador to Liechtenstein or the deputy undersecretary of commerce.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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I make big objects that are simple, bright and clear, kind of ironic but hopefully funny because I love the shapes, and I get inspiration from toys and books, and I believe in art for everyone.
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I dedicated my 20s, my passion and energy to the name 'Rain.' I always did my best, and I thought if I did, it would eventually show, and even if it didn't turn out well, I wouldn't have any regrets.
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If you only believe that you're an artist when you have a big advance in your pocket and a single coming out, I would say that's quite soulless. You have to have a sense of your own greatness and your own ability from a very deep place inside you. I am the one with the litmus test in my hands of what people need to hear next.
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Learning about factory farms and their horrendous treatment of animals is what made me become vegetarian in the first place. I also support the education of the public on adopting pets from animal shelters or saving homeless animals off the street in lieu of buying them from pet shops.
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When my husband is away and I'm by myself, my neighbours will insist I eat with them every single night because they see it as unhealthy to eat by yourself.
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By the first week of shooting, you know exactly where your film is heading based on the psychology of your director.
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Difficulties strengthen the mind, as labor does the body.
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I believe in advertisement and media completely. My art and my personal life are based in it. I think that the art world would probably be a tremendous reservoir for everybody involved in advertising.
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Once you feel that you've learned some skills and you know how to make records, the next thing is, "Do we ever get to make one that people will really like?" Because then we'll have something to do.
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Moments when the original 'poet' in each of us created the outside world for us, by finding the familiar in the unfamiliar, are perhaps forgotten by most people; or else they are guarded in some secret place of memory because they were too much like visitations by the gods to be mixed with everyday thinking.