Marion Milner Quotes
Quotes to Explore
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It's very juicy to twirl your mustache and figure out why people do the horrible things that they do. It's not just because they are evil, but because that's how they somehow explain the world to themselves and justify themselves. It's always interesting figuring out how that happens.
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Dissent is the native activity of the scientist, and it has got him into a good deal of trouble in the last years. But if that is cut off, what is left will not be a scientist. And I doubt whether it will be a man.
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I'm not just a model who plays volleyball, or a volleyball player who supports herself modeling. I'm a female athlete personality.
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When Bob Wilson left the BBC for ITV, I got the 'Football Focus' job, and it went from there. It came completely out of the blue, but the fact I had a high profile certainly helped.
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I work in my attic, and the view is next door's chimney stack.
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I think every girl's dream is to find a bad boy at the right time, when he wants to not be bad anymore.
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I will negotiate with my worst enemy.
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There's a place in my heart for every team I played on.
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You can see neurosis from below - as a sickness - as most psychiatrists see it. Or you can understand it as a compassionate man might: respecting the neurosis as a fumbling and inefficient effort toward good ends.
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I've become invested with this symbolic power. It really does transcend what I'm actually doing and what I actually deserve.
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The voices on the record, that was trying to treat my voice like guitar players treat guitar tones.
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The experience of being an Olympian is one that can never be taken away from you.
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If I am not for myself, who will be for me? If I am not for others, what am I? And if not now, when?
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When writing 'Give and Take' and 'Originals,' the predominant emotion for me was curiosity.
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At the simplest level, economics can better show us the consequences of our actions. Less simple are cases in which we don't have the knowledge to predict the full consequences. Global warming and climate change are examples.
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Some journalists are pestier than others, so I find out where the pests are. I am careful with my actors and actresses. I come back and tell them, 'Watch out for this one or that one.' People are surprised I do that. But I watch out for them even after the movie is over.
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I love the French horn.
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Counterterrorism analysts have known for years that al Qaeda prepares for attacks with elaborate 'targeting packages' of photographs and notes.
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Yes, I do come with certain reservations, and I'm not OK with certain things, but rather than focusing on what I don't want to do, I focus on what I do want to do, and I bring that energy, and that happens.
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I don't want to stop acting, but acting in some ways is a young man's game.
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When I hear about these terrorist ideologies, they are completely foreign and strange to me. I mean, to me, it's, like, antithetical.
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I think every age has a medium that talks to it more eloquently than the others. In the 19th century it was symphonic music and the novel. For various technical and artistic reasons, film became that eloquent medium for the 20th century.
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You can never take those you love for granted, and you have to be willing to be open and really communicate with one another to make any relationship work. And that's just it: relationships take work, and they take compromise and compassion and understanding.
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The growth of understanding follows an ascending spiral rather than a straight line.
