Marion Ross Quotes
Quotes to Explore
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My family and I had to overcome a lot to get where we are today.
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My manager's biggest dream is for me to be on Letterman. She says, 'Oh, Maggie, will you promise me you'll be on 'Letterman?' What can I say? I just tell her I can't promise, but I'll try my best.
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I set myself one task, which was to get Labour on to the front foot, back in the game, making the weather on the economy, and that's going to take me a year.
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Anytime I'm involved with anything that's well-received, it's a surprise to me.
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I went to quite an academic school, and all my friends were going to university, but even before my acting jobs, I didn't want to do that. I didn't want to spend another three years being institutionalised, and I feel that getting out of that system benefited me in quite a few ways.
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There are certain types of slightly hysterical human characters who, rather than creating, walk around with a sense of their own potential - it's as if they themselves were art objects. They feel as if their lives are written narratives, or pieces of music.
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Probably I understand very much the people who rise against injustice.
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It was a joy to be a part of the team that created Round The Horne. I was involved with the show at a time of my life when I was very happy., and that happiness overflowed into the scripts.
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If people want to find me, they can. They'll see a middle-aged woman wandering around the grocery store, looking to see what to buy for dinner.
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To come in and win three races already this year and maybe set a record by winning four is pretty unique. But guys like Mark Martin, Rusty Wallace and these guys are not wanting that to happen.
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AI does not keep me up at night. Almost no one is working on conscious machines. Deep learning algorithms, or Google search, or Facebook personalization, or Siri or self driving cars or Watson, those have the same relationship to conscious machines as a toaster does to a chess-playing computer.
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I tried to hostess... but they fired me after four days because I couldn't figure out how seating plans worked.
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I think for people that are dealing with this out there, the important thing to know is that this is real. It's called CIU, and there are solutions out there for you.
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I think the varied backgrounds in the beginning were a plus. It took a while for people to understand what they were trying to do and get started, but it did provide for a lot of new ideas.
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Painting is just another way of keeping a diary.
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I don't think you can mix classical music and reggae. It's not possible. But some producer in, like, Norway is going to put it together.
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I'm a voracious reader, and I love to throw myself into it.
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Being called 'conscious' is a great thing to be, but it's the connotations and preconceived notions that come with the buying audience about what conscious music can be.
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I think that the stuff I write for pop music is terribly, terribly cheesy.
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When the major studios flourished many years ago, an actor was groomed, developed, and worked frequently at his craft. The studios really took care of their actors.
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I have always believed that a good laugh was good for both the mental and physical digestion.
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In Paris, I really do like to try and do nothing... but that's impossible.
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The climate suits me, and London has the greatest serious music that you can hear any day of the week in the world - you think it's going to be Vienna or Paris or somewhere, but if you go to Vienna or Paris and say, 'Let's hear some good music', there isn't any.
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Prague is the Paris of the '90s.
