Kathleen Rose Perkins Quotes
I don't understand business minds. I consider myself an artist, and they just really don't mix.
Quotes to Explore
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A lifetime of low calories has come naturally to the longest-lived people in the world... in the Japanese archipelago of Okinawa.
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If you're making music for all the right reasons, people are going to be receptive to that and appreciate it the same way you did when your were writing it.
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Obviously, I never want to make the same record twice. I want to keep moving forward. That's the real challenge, I think.
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I actually like football a great deal.
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Well, you know, I was through the whole of the Second World War and saw all my friends killed.
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I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.
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As far as everyone else's opinion, I mean, if I would have thought that everyone was right, I probably wouldn't have left Compton, so I don't get too caught up on what the next person thinks.
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You never want to sound bitter about critics, because they're entitled to do their job, too, but I place much more trust in a person who I can look in the eye and someone who I know I share some kind of taste with - so my friends, for instance. For me, a critic is unknown and therefore irrelevant.
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Ordinarily if an actor gets chosen for the lead in a film, he or she has already built up a repertoire, and everyone knows what he or she is capable of.
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Our research is so complex that the resources of a single region of the world are no longer enough - both intellectually and economically, it must be a global effort.
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All the big online retailers are looking at how to enter the Russian market.
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Easy is to occupy a place in a telephone book. Difficult is to occupy someone's heart; know that you're really loved.
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I'm quite interested in my own mental processes, simply because I'm a failed scientist, and because I'm interested in how the brain and the mind works, and I like to avoid easy descriptions.
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When you have young children, it is hard to see live performances. Unless I am in it. I do manage to see my husband Rupert Goold's work, of course.
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It's very hard to transgress; we have the furniture of transgression without the imagery and iconography to actually do it.
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People don't slip. Time catches up with them.
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Barack Obama's victories in 2008 and 2012 were dismissed by some of his critics as merely symbolic for African Americans. But there is nothing 'mere' about symbols.
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I first went to India because of my interest in yoga, hoping to go to the Iyengar Centre in Pune for a while. That didn't work out, but I ended up on a beach in Goa, writing.
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In The Lime Twig I took two very young people and made them very old.
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A new model is starting to take root and grow, one in which consumers have more choices, more tools, more information, and more power to guide these choices. I call this emerging model 'The Mesh.'
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I believe the auto business is a highly comprehensive and complicated business. It's not that easy for people simply to enter and ruin the whole thing.
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My parents were both first-generation Irish Catholics raised in Brooklyn.
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I don't understand business minds. I consider myself an artist, and they just really don't mix.
