Katie Stevens Quotes
Any time you have a dream job of where you want to work, it's so incredible, and I don't think that people realize it could go away.
Quotes to Explore
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My plans are not to open a restaurant, but what I would like to do is open a kitchen somewhere in D.C. proper and have a chef's table where people can come and taste my food without having to have a catered event.
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To be a good artist, you have to serve the work of art and allow it to be what it is supposed to be.
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It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
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When I used to go to Elvis's house was always a nightmare trying to get into the house because of so many fans outside the gate and he really couldn't go anywhere without sneaking in or doing something because people just wanted to be around him and to be with him.
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In the Foo Fighters, my main job is to be the drummer, and that's enough.
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When I'm writing, I spend all my time in The Grocer on Elgin buying ready-made meals; I think they are the only reason my husband and kids haven't left me.
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Personally, I believe in self-determination, but in the context of one South Africa - so that my self-determination is based in this region, and with my people.
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I think, ultimately, open always wins out. It wins out because you cannot lock data in; you can't lock people in. They will find a way out.
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'The Driver' wasn't commercially successful at the time, but when I was a teenager, I had no knowledge of that.
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My life is not that glamorous. I actually live a pretty simple life, really. I just work. I don't have time to do all these glamorous things. I just do my thing, just work.
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I came to N.Y.C. in 1988 and got very involved with Act Up. I also started making movies, including two very gay shorts, 'Vaudeville' and 'Lady.' It was the height of the AIDS epidemic, and New York City was both dying and very alive at the same time.
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My father came from nothing, so he believed that people could do anything if they worked hard enough. I think he liked that I chose to be an actor. Both he and my mom were totally supportive.
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Authors change publishers because it's like being married for a long time and suddenly you want to go out and have a wild affair! No, not seriously, sometimes the deal is more interesting with a new publisher, and other times they have more enthusiasm for your books.
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I think I spent my entire childhood on film sets, surrounded by film-makers and actors and people with magnetic energies who make movies.
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I stopped caring what people thought.
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By the time we've made it, we've had it.
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Prior to getting into music, I interacted with, on a daily basis, about 5-10 percent of the people that I've interacted with since then. I've been meeting people from different backgrounds and different cultures. That did allow for a lot of change. I've changed as a product of that, but it's been positive.
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Our education system is not preparing young people for the world they will face.
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I grew up in the Boys & Girls Club. That's where I really started playing all sports, and that's why I'm a big advocate for the work they do.
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I love Monet: his 'Water Lilies' would look great on my wall. But would I prefer to see money helping kids get better from cancer rather than spending it on a work of art for my own personal indulgence? Yes, I probably would.
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The smug complacency of technology adverts disguises a pretty mixed picture, with too many people not connected, too many passive users of technologies designed for interactive, and far too much talk about empowerment but far too little action to make it happen.
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The 21st-century curator works in a supremely globalised reality.
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I'm not the kind of guy who hems and haws about how he feels.
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Any time you have a dream job of where you want to work, it's so incredible, and I don't think that people realize it could go away.
