Chetan Bhagat Quotes
While I am a capitalist at heart and I have no problems with commercialization as such, I believe that while it's okay if education becomes a profitable business, it's not okay if it becomes corrupt.
Quotes to Explore
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A spiritual partnership is a partnership between equals for the purpose of spiritual growth. Spiritual partners use their delightful experiences together as well as their power struggles to learn about themselves and change themselves.
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If I categorized home runs that I've seen, without a doubt the monumental one is Henry's... but I've seen a lot of classic, great home runs. Gibson's was probably the most theatrical home run I've ever seen.
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If you think about it, you can have the best CGI, but you can always tell that it is CGI. Your brain can spot that is not real even though you think it looks cool. Your brain knows the truth, so you don't jump and you don't scream. It was very important for me to expose the audience to real elements.
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Organized labor, if they're doing a responsible job, is going to organize the pooling of small amounts of money to protect the interests of the people who are not rich.
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It is the spirit and not the form of law that keeps justice alive.
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I am very close to my brother Ramesh Babu. When my father was away for shootings, my brother would take care of me, and I am very close to him, and yes, Dad's always special. He used to call me and enquire about my film's progress. Whenever I deliver a hit, I can see a glow on my father's face.
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In my early 20s, I didn't even know what the Groundlings was. I had no idea. But I know how to break down a script and work on the character.
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My role models were always the Pacinos and the Oldmans, the guys who get dirty with their characters, and I arrived in L.A. during the big boom of 'Dawson's Creek.' I was getting cast as the boy next door, or the friend of the jock. I thought, 'Did I really have to do all that studying?'
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I screwed my knee up once because I fell off the stage.
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Mr. Balanchine wanted me to be myself. He didn't want me to look like anyone else. I love teaching our company dancers the Balanchine ballets. I try to give them what was passed down to me and what I learned from him. They dance it so beautifully. It also keeps me close to Mr. Balanchine. He's with me every single day.
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That was the first major social sciences conference at which social scientists from all cultures wanted to reach a consensus on whether we can continue to pursue a national course in the social sciences or whether we need a cosmopolitan path that also connects us in a new way.
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Law enforcement officers are never 'off duty.' They are dedicated public servants who are sworn to protect public safety at any time and place that the peace is threatened. They need all the help that they can get.
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My first paying job, when I was 15, I was a day camp counselor.
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Not the fruit of experience, but experience itself, is the end.
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I wrote 'Thelma & Louise' in 1988, and we shot it in 1990. Everyone kept saying, 'This is so groundbreaking... this is going to change the landscape,' but I don't see that result at all. When we saw some female studio executives, we were hopeful that more women would be hired as directors, but that didn't really seem to happen.
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Writing is always a restorative process. It's like paddling a kayak. When you're writing, you can't do anything else. You're in the space you're in. So, in that way, it's enormously centering and restorative.
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In any case, his judgment and set of values, acting alone or through his assistants, determine not only what is gold and what is dross but the design of the history which he creates out of the metal. The historian decides what is significant, and what is not.
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Writing for TV entails saying every dumb idea that comes into your head to a room of people. And doing so with the confidence that it doesn't make you look like an idiot.
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We take the traditional value investor's process and just flip it around a little bit. The traditional value investor asks 'Is this cheap?' and then 'Why is it cheap?' We start by identifying a reason something might be mispriced, and then if we find a reason why something is likely mispriced, then we make a determination whether it's cheap.
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I love movies that make me cry, because they're tapping into a real emotion in me, and I always think afterwards: how did they do that?
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I want to do journalism on journalists. I want to do the stories on stories that aren't being told.
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I'm still a farm boy at heart. If I hadn't suffered from asthma as a child, I would be a farmer today.
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When I began to be published, people got the idea that I should 'teach writing,' which I have no idea how to do and don't really believe in.
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While I am a capitalist at heart and I have no problems with commercialization as such, I believe that while it's okay if education becomes a profitable business, it's not okay if it becomes corrupt.
