Callie Khouri Quotes
I wrote 'Thelma & Louise' in 1988, and we shot it in 1990. Everyone kept saying, 'This is so groundbreaking... this is going to change the landscape,' but I don't see that result at all. When we saw some female studio executives, we were hopeful that more women would be hired as directors, but that didn't really seem to happen.
Quotes to Explore
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I don't think anyone should write their autobiography until after they're dead.
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Parodies of commercials are by no means new and have been popular going back to black-and-white TV shows of the '50s.
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I've always said I wanted to play in England. There was a struggle between Chelsea and United, but according to me, Chelsea has the best project.
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We had a good time mucking about during 'Band of Brothers' when we were young and single.
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Overall, the anarchy was the most creative of all periods of Japanese culture for in it there appeared the greatest landscape painting, the culmination of the skill of landscape gardening and the arts of flower arrangement, and the No drama.
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I don't spend a lot on holidays, but have been very fortunate to travel extensively through doing various challenges around the world. The best place I've ever been is Argentina.
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The Islamist ideology took decades to incubate within our communities, and it will take decades to debunk.
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Don't sell credits; don't sell walk-on roles... If people want to back you, they'll back you. But if you have to entice people will walk-on roles and crazy credits, you're undermining yourself.
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There's always the ongoing actor frustration of finding the great role to do next. I don't go to work a lot. I wait as long as I can until the money runs out or a great part comes along.
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Look at someone like Ke$ha. I wouldn't say she's got the most rangy, incredible voice, but she's got a thing. She stands for something, and people are buying into that.
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In my state, over 17,000 households are going hungry on a regular basis.
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Persistence is to the character of man as carbon is to steel.
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I think success happens when it's supposed to and when you can appreciate it. I am grateful that it didn't happen for me at 22 or 23. I would've been foolish enough to think that we're all entitled to it, instead of it being the divine blessing that it is.
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There is nothing so well known as that we should not expect something for nothing - but we all do and call it Hope.
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I was made fun of a lot in middle school. When I was in seventh grade, the popular kids paid the most popular guy to ask me out.
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Bleaching eyebrows makes me crazy.
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I had rather have a plain, russet-coated Captain, that knows what he fights for, and loves what he knows, than that which you call a Gentle-man and is nothing else.
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My reaction to everything in life is when it gets a bit complicated to water it down and make it simple again.
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I want to have the fun of doing anime and I love anime, but I can't do storyboards because I can't really draw and that's what they live and die on.
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Actually, when I say my name in the U.S., people are like 'You're Elsa from Frozen!' And I'm like, I can't break their hearts, 'I could be!'
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Cable news is more titillating to talk about who's up and who's down and all that nonsense as opposed to what's actually done.
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Most historians and other writers of what we now consider 'primary sources' simply didn't think about women and their contribution to society. They took it for granted, except when that contribution or its lack directly affected men.
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Gaming in general is a male thing. It isn't that gaming is designed to exclude women. Everybody who's tried to design a game to interest a large female audience has failed. And I think that has to do with the different thinking processes of men and women.
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I wrote 'Thelma & Louise' in 1988, and we shot it in 1990. Everyone kept saying, 'This is so groundbreaking... this is going to change the landscape,' but I don't see that result at all. When we saw some female studio executives, we were hopeful that more women would be hired as directors, but that didn't really seem to happen.
