Callie Khouri Quotes
I wrote 'Thelma & Louise' in 1988, and we shot it in 1990. Everyone kept saying, 'This is so groundbreaking... this is going to change the landscape,' but I don't see that result at all. When we saw some female studio executives, we were hopeful that more women would be hired as directors, but that didn't really seem to happen.
Quotes to Explore
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I don't think anyone should write their autobiography until after they're dead.
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Parodies of commercials are by no means new and have been popular going back to black-and-white TV shows of the '50s.
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I've always said I wanted to play in England. There was a struggle between Chelsea and United, but according to me, Chelsea has the best project.
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We had a good time mucking about during 'Band of Brothers' when we were young and single.
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Overall, the anarchy was the most creative of all periods of Japanese culture for in it there appeared the greatest landscape painting, the culmination of the skill of landscape gardening and the arts of flower arrangement, and the No drama.
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I don't spend a lot on holidays, but have been very fortunate to travel extensively through doing various challenges around the world. The best place I've ever been is Argentina.
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The Islamist ideology took decades to incubate within our communities, and it will take decades to debunk.
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Don't sell credits; don't sell walk-on roles... If people want to back you, they'll back you. But if you have to entice people will walk-on roles and crazy credits, you're undermining yourself.
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There's always the ongoing actor frustration of finding the great role to do next. I don't go to work a lot. I wait as long as I can until the money runs out or a great part comes along.
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Look at someone like Ke$ha. I wouldn't say she's got the most rangy, incredible voice, but she's got a thing. She stands for something, and people are buying into that.
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In my state, over 17,000 households are going hungry on a regular basis.
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Persistence is to the character of man as carbon is to steel.
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I think success happens when it's supposed to and when you can appreciate it. I am grateful that it didn't happen for me at 22 or 23. I would've been foolish enough to think that we're all entitled to it, instead of it being the divine blessing that it is.
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There is nothing so well known as that we should not expect something for nothing - but we all do and call it Hope.
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I was made fun of a lot in middle school. When I was in seventh grade, the popular kids paid the most popular guy to ask me out.
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Bleaching eyebrows makes me crazy.
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My reaction to everything in life is when it gets a bit complicated to water it down and make it simple again.
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It seems to many of us that if we are to avoid the eventual catastrophic world conflict, we must strengthen the United Nations as a first step toward a world government patterned after our own government with a legislature, executive and judiciary, and police to enforce its international laws and keep the peace.
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The open society is one in which men have learned to be to some extent critical of taboos, and to base decisions on the authority of their own intelligence.
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I suppose I am a frustrated musician so I annoy my family by playing guitar in the house. I used to be into acoustic stuff but my son Joseph is learning drums, so now I have an electric guitar and we play Metallica. We have an amp and a PA in the garage with his drum kit.
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A player who makes a team great is more valuable than a great player. Losing yourself for the group, for the good of the group - that’s teamwork.
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Speaking for myself, my very integrity as a human being needs to include my freedom to explore who I am both spiritually and sexually. Not just to explore - but to practice.
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I know my comfort zone and I know what my strong points are and my first love was always music. I'm a huge cinema fan. I was taking my time; I got offered a lot of scripts and things along the way but until Burlesque showed up at my doorstep, it really spoke to me. I have a collection of burlesque books at home that I've had for years. I've always been intrigued and fascinated with the topic, the beauty and the art of it and the comedic value of it. I think it's just a beautiful, empowering thing for women.
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I wrote 'Thelma & Louise' in 1988, and we shot it in 1990. Everyone kept saying, 'This is so groundbreaking... this is going to change the landscape,' but I don't see that result at all. When we saw some female studio executives, we were hopeful that more women would be hired as directors, but that didn't really seem to happen.
