Mark Billingham Quotes
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I read 'Jaws' and 'The Godfather' back to back one summer when I was 14 and was suddenly aware of how powerful fiction could be.
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I could never gamble on stocks and shares because I saw my father get hurt that way - he lost quite a lot of money when the stock market collapsed in 2001.
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As I write each new Thorne novel, I'm determined that whatever is happening plot-wise, a new layer of the onion will be peeled away and reveal something about Thorne that is surprising to me as much as anyone else. If I can remain interested in the character, then hopefully the reader will stay interested, too.
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Part of the reason why Scandinavian crime has been so popular is the landscape. It is just so strong and alien. Although without taking anything away, you should probably also never discount the fact that blood does look particularly good against snow.
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When you think of a great twist or a red herring or a way of misdirecting the reader, it is good, but you know that they are just tricks at the end of the day, and the way to keep interest is to write characters that people care about.
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I write slowly and get distracted a lot.
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I often wonder, with my hand on my heart, if 'The Dying Hours' was made into the biggest movie franchise in history, would I pick up my pen again? Wouldn't I be happier spending the rest of my life travelling around with my wife?
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There have been some brilliant and very successful standalone books that work in themselves and also seem to refresh a series. Anyone who writes a series lives in fear of it becoming stale, so you do whatever you can to keep it fresh - although it does feel a bit nerve-racking to write outside of your comfort zone.
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I moved from acting to stand-up because castings are just about what you look like. It doesn't matter if you can act or not. In comedy, no one cares what you look like.
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In the 1970s, there was a trend for all detectives on TV to have some quirk or gimmick, and this was often physical.
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I started performing as a stand-up comedian on my own in the mid-1990s.
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I think it's very easy to disgust the reader with violence on the page - that's incredibly easy - but it's far harder to make a reader care about a character.
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I believe that if writers want their readers to care about a character, they have to care themselves. I have to root for a detective who screws up as much as Thorne does, who shares my birthday, my North London stomping ground, and my love of country music, both alt and cheesy.
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Ian Rankin's Rebus is the king of modern British crime fiction. He is dour, determined, and constantly falls foul of his seniors. For all this, we root for him. He is eminently loveable, a quixotic hero moving through the darker half of a Jekyll and Hyde Edinburgh.
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If the weather is nice, I play tennis, which is pretty much the only exercise that I do. I try to do that as much as I can.
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As crime writers, we put these characters, year after year, book after book, through the most horrendous trauma, dealing with grief and death and loss and violence. We can't pretend that these things don't affect these characters; they have to. If they don't, then you're essentially writing cartoons.
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I do have a touch of OCD, and I used to obsess about research. But I'm better than I was. Gone are the days when I would drive to a set of traffic lights to find out if you could turn left. I finally realised it didn't matter. A book will not stand or fall on whether or not there's a branch of Starbucks in Brixton.
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There are a number of writers who believe it is their duty to throw as many curve balls at the reader as possible. To twist and twist again. These are the Chubby Checkers of crime fiction and, while I admire the craft, I think that it can actually work against genuine suspense.
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I've often said the reader knows every bit as much about Thorne as I do. When I created him for 'Sleepyhead,' I was determined he should be a character who would develop, book by book, change and grow as we all do, and who - crucially - would be unpredictable.
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If something is crucial to the plot, then I'd better be sure I've got my facts straight. Readers of crime novels are smart and savvy, and they'll waste no time letting me know if there's a hole in my plot.
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I find traveling anywhere very stressful. If I ever have to go on tour, I tend to find it all a bit too stressful. I am too much of a control freak with traveling, and nothing is ever on time. The one thing I can't stand is being late.
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I think women tend to write about how violence feels, whereas men tend to write about what violence looks like.
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In America, they have specialist mystery book stores with whole sections devoted to cat mysteries, golf mysteries, quilting mysteries. It's a hugely broad genre from the darkest noir to tales of a 19th-century vet who solves crimes, thanks to his talking cat.
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More than 100 years after he first appeared, Holmes remains the template for the fictional detective.