Kathy Bates Quotes
The relationship to the director is becoming more crucial to me, making sure there are some common goals. I haven't been in the kind of position where my roles have been chosen for me, where someone says, "First we'll do this and then we'll do this," and it's all part of some master plan.
Quotes to Explore
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Two things form the bedrock of any open society - freedom of expression and rule of law. If you don't have those things, you don't have a free country.
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I've been told I have an aggressive driving style.
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You can only paint through your experience and sub-consciousness.
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Sometimes when you finish a book, you don't know quite what you've got.
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I just want to do my job.
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I think that as you grow up, as you get older, we can't get bitter, we can't get jaded.
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In my household, a Trapper-Keeper was too expensive - we had plain old three-ring notebooks - and I always wanted a Trapper-Keeper.
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I'm a very interior person. I love silence. I revel in it. I'm happy that way.
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Tone is somewhat totalising in that, once I locate it, it tells me what kind of syntax to use, what word choices to make, how much white space to leave on the page, what sentence length, what the rhythmic patterning will be. If I can't find the tone, I sometimes try narrating through the point of view of someone else.
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'Dog Days' was recorded with pens and the wall, and half a stolen drum kit that was out of tune, in what was basically a cupboard. The only instrument I could really play was my voice, so we just layered everything a hundred times. It was enthusiasm over skill.
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If the American government can't stand behind the dollar, the world's benchmark currency, then the global financial system will very likely enter a new era in which there is much less trade and much less economic growth. It would be, by most accounts, the largest self-imposed financial disaster in history.
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In the 1960s, and stretching back to the 1930s, it was felt by many economists that easy money is a reliable way to increase employment.
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It's become a habit to make films where the father is absent. My father impresses me, but the father figure does not.
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When I graduated college, I had a fairly successful weekly club gig and was buying more studio equipment and writing my own music. I realized I didn't want to work.
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We only had white socks in Romania. But when I used to come back from the States, I used to bring back pink and yellow socks with all kind of designs, and hair clips and elastic bands for the ponytail that had colourful designs.
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I have always believed that life is too short for rows and disagreements. Even if I think I'm right, I would prefer to apologize and remain friends rather than win and be an enemy.
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I don't know what other people are like, I haven't been able to crawl inside anybody else.
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At the beginning, I experienced writing as a sort of constraint. Starting so young as a writer is pitiable: it's beyond your powers; you have to lay bare things that are very heavy, and you don't have the means for that.
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I don't watch any horror films. I get scared very easily.
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There's never been a game plan, and I suppose I've had an uneasy relationship with my ambition. Someone who had been in my year at drama school once said to me that I was terrifyingly ambitious back then. Which was not at all what I felt at the time - I felt paralysed with shyness, though that evaporated.
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I chose to document the lives of people living in a remote village in Alaska called Shishmaref because there we can literally see how climate change is affecting their homes, livelihoods and ultimately their lives.
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Everybody can be smart.
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If there is no God for thee Then there is no God for me.
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The relationship to the director is becoming more crucial to me, making sure there are some common goals. I haven't been in the kind of position where my roles have been chosen for me, where someone says, "First we'll do this and then we'll do this," and it's all part of some master plan.
