Chiara Ferragni Quotes
After my first fashion week, there were so many brands approaching us, and we said 'No' 90 per cent of the time. We didn't care about making a lot of money - it seemed so short term. We've always wanted to create something bigger.
Quotes to Explore
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'Grey's Anatomy' is a very culturally diverse show.
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I first started writing fiction in college because I was attracted to beautiful sentences. I loved to read them. I wanted to write them.
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The hardest thing about being an unpublished writer is that there's always that voice in your head that asks if you're really being a fool. You might just really stink and not know it. You have to have a lot of blind faith in the process. You have to like it so much that you're going to do it anyway.
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I grew up in California, and when I read that Proposition 8 was on the ballot, I was disappointed because it seemed to be inconsistent with the spirit of the state, with the independence and diversity of the frontier that California has always been.
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When you're a teenager, you want to meet a lot of girls - you want to get the most girls. You don't know anything about respect; you don't know anything about being faithful and loyal to your girlfriend.
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My biggest thing has always been privacy. With an interview such as this where the questions are about me, I struggle to express myself. I have an immediate answer in my head of what I'd say, but sometimes I feel that it would be too honest. So these wheels of censorship start going around my head.
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Cambridge was the place for someone from the Colonies or the Dominions to go on to, and it was to the Cavendish Laboratory that one went to do physics.
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There are times as an actor when you don't work for two months, sometimes three or sometimes six, and the only thing that's going to keep you sane is if you give back and live your life. I've definitely gone through that. It's like, 'Okay, I'm out of work for two months.' That's two months I can paint.
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Leaving sex to the feminists is like letting your dog vacation at the taxidermist.
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I think being directed and mentored by someone as inspirational as Paul Feig not only improves my performance but, as a whole, makes it what it is.
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If you look at any normal organization, the CEO is the person with the highest E.Q. The person with the highest IQ is often in the back room running the financials or the operations. That's topsy turvy.
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It seems to many of us that if we are to avoid the eventual catastrophic world conflict, we must strengthen the United Nations as a first step toward a world government patterned after our own government with a legislature, executive and judiciary, and police to enforce its international laws and keep the peace.
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You could argue that 'Sweeney Todd' was romantic, if you looked closely at it, but it didn't impart that to its audiences. But it's large, and it's melodramatic, and it's a style I like to work in periodically.
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Working with Bill Cosby was incredible. I was lucky to be a part of that.
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So many people love sci-fi, and they're so loyal.
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I have a fat head – I get freaked-out looking at pictures of me.
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Any committee is only as good as the most knowledgeable, determined and vigorous person on it. There must be somebody who provides the flame.
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Government is the ultimate monopoly. And monopolies, as any economist will tell you, often breed complacency and a lack of innovation.
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Though analogy is often misleading, it is the least misleading thing we have.
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I meet hundreds of people, and I'm not going to remember them. But every single one of them will remember their interaction with me.
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It's very important that young artists push boundaries, because sometimes you have this urge to do something - like the impulsive and dangerous urges I had as a child - and if you don't follow through with it you might miss out on a developmental experience.
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No connection to the average voter - Clinton has an air of superiority. Despite her wide smile and pleasant appearance, she is envisioned as someone who is trying to hide something all the time.
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I grew up in an artists' community in New York, in a building that was government-subsidised for artists. No one made any money, but they made art for the sake of art.
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After my first fashion week, there were so many brands approaching us, and we said 'No' 90 per cent of the time. We didn't care about making a lot of money - it seemed so short term. We've always wanted to create something bigger.
