Kaya Scodelario Quotes
I was incredibly shy and insecure as a child. I was bullied. I was dyslexic. I had an immigrant single parent. I was the opposite of that kind of ideal, cool girl thing.
Quotes to Explore
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The metaphor for Palestine is stronger than the Palestine of reality.
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I think you can say anybody uses anything as a gimmick. Is Adele's not having gimmicks her gimmick? It's hard to say, isn't it? Really, I think that everybody has something that people like or that's great about them.
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When I started making movies, I was pretty young, and at the time I felt like there needed to be more confrontation in cinema - or I needed to make something more disruptive - so in the beginning, those movies were me wanting to play with the rules.
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I think as a guy you need a little bit to be on your own from early on, to start to live your own life, and try to understand what is going on around you, you have to be able to survive.
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I learned a lot doing 'Wolverine,' and I was also very fortunate, in the sense that I got to do a huge number of visual effects shots.
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I don't really approach stories to make them different from other stuff I've seen, I just try to get into the character, into his or her head. Try to make it as funny, as scary or as wild as I can so that I really like it.
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If I were to work with my mom, I probably would not want her to play my mom. That would get too real.
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I hate the domestic life.
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There is no ideal body. It's just taking what you have and working it.
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As the future is never known with certainty, the evaluation of the prospective benefits requires the formation of expectations. An acceptable house, partner or job, then, is one that offers an expected stream of future benefit that has a value in excess of the option to continue to search for an even better alternative.
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I don't use the voice of Bart when I'm making love to my husband, but Marge's voice turns him on a little.
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When you write songs for your best friends and maybe two other people to hear, and then realize that a million other people are going to hear them, it can be a bit worrying. You get concerned about what you might reveal.
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We sometimes think that being a celebrity is the same as being a role model. But a role model is actually someone you can touch, talk to and dream with.
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I'm not an overnight sensation. I'm a Texan. And I'm a Texas success story. I am the epitome of hard work and optimism.
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I've always noted with some awe the reading habits of the Australian public. Australians read more newspapers and magazines per head of population than almost any other country in the world.
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My mum was a dancer. She would tour the world with a group, and she had me in a dance class when I was still in a nappy. They told her to come back when I could walk.
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One of the saddest things I've seen in Amazonian cultures is people who were self-sufficient and happy that now think of themselves as poor and become dissatisfied with their lives. What worries me is outsiders trying to impose their values and materialism on the Piraha.
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I refuse to admit that I am more than fifty-two, even if that does make my sons illegitimate.
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It's so clear cut with a comedian - you have that reflex action, whereby you laugh or you don't. And so you either love us or you simply cannot see why people are laughing.
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I like having a private name and a public name. It helps keep things straight.
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I'm famous by default. I came out of the womb, and people wanted to know who I was because of my parents.
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You know, if you have a zoo you don't want the other creatures to see you. You want them to hang out and act properly and, you know, when the monkeys will come and ask for the bananas, they won't act like monkeys. If you want them to act on what their true nature is, you've got to leave them alone.
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The pickup points are a natural additional network for delivery. For me, the surprise is that Amazon didn't come up with that idea.
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I was incredibly shy and insecure as a child. I was bullied. I was dyslexic. I had an immigrant single parent. I was the opposite of that kind of ideal, cool girl thing.
