Chip Esten Quotes
What I found about 'Nashville' coming in is it's about these small performances. It can be on a big stage but detailed, small, heartfelt, real performances from musicians and singers. So if you try to do something bloated or showy, the directors dial us in and let us know.
Quotes to Explore
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I like to wear shoes that are cool but also practical. The same goes for bags. Your bag is a big deal in New York. You can't just carry around a little clutch, because you don't have a car or anywhere to stash things during the day, so you need to carry your whole life with you. That's why I like big, chunky bags with lots of compartments.
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So the darkness shall be the light, and the stillness the dancing.
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Texas is a pretty free state.
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I just feel so flattered, because the cosplayers really make sure every detail is there. I don't think I've ever cosplayed a character before, but if I were to, I'd probably go as a Klingon from 'Star Trek.'
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I could go to London in 2012. I will only be 37.
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The dynamic element in my philosophy, taken as a whole, can be seen as an obstinate and untiring battle against the spirit of abstraction.
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You're creating new things in movies and people are going to steal them.
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I've never fabricated or plagiarized anything.
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I don't really set out to please anybody, and I don't think I ever have. I have occasionally been encouraged to try to write something specifically for the purpose of releasing it as a single to get radio play. Those are not my best songs, as a rule.
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We can see cities during the day and at night, and we can watch rivers dump sediment into the ocean, and see hurricanes form.
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Financial analysts make a lot more than accountants.
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Our goal is to build this up as a knowledge base that anyone can look at. We're not just interested in people answering their friends' one-off questions.
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I tell you, in this world, being a little crazy helps to keep you sane.
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I might be afraid of ghosts and like dragons and those things, but I'm not afraid of the Taliban.
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Michael Jackson wanted to be in Men in Black II. He told me he had seen the first Men in Black in Paris and had stayed behind and sat there and wept. I had to explain to him that it was a comedy.
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Novelists want to be published and need a publisher to decide to print 20,000 copies. So you need to entertain on some level. I want to reach out and connect.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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You cannot underestimate people's ability to spot a soulless, bureaucratic tactic a million miles away. It's a big reason why so many companies that have dipped a toe in social media waters have failed miserably.
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I have nothing but contempt for the deceitful thing men call 'happiness,' and find myself with no choice but to push my characters, whom I pour my heart and soul out to create, into the abyss of tragedy.
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When you're 16, the top of the world is directing a gangster movie.
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I kind of get a next-gen game machine, but competing for the home entertainment business? We'll see how that goes.
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I listen to music I'm looking to record or catch up on news and TV, whatever is on the TV at the gym!
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I always practise penalties, but what people don't understand is that you can never recreate that pressure situation that you're under.
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What I found about 'Nashville' coming in is it's about these small performances. It can be on a big stage but detailed, small, heartfelt, real performances from musicians and singers. So if you try to do something bloated or showy, the directors dial us in and let us know.
