Chloe Sevigny Quotes
I think it's just a lot more pressure to make the scenes work when you're doing a film, because when you're doing a series you feel like, I have so many scenes, so many episodes, so if I don't get it exactly right this time, I have another scene later. You feel less pressure.
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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It's hard to say how certain stories just punch us in the heart and the brain at the same time at the end. I suppose that's what we're all looking for. But each story has its own valence, its own way of saying goodbye to you.
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FOR a long time the conviction has been dimly felt in the community that, without prejudice to existing institutions, the legal day of weekly rest might be employed to advantage for purposes affecting the general good.
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I want to work with producers who are unique and have a different sound.
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For an actor, a Mamet play is definitely on the list of things you hope to be a part of before it's time to exit.
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I don't like to travel as much as I have in the past, but it's good for my soul to get to pick, especially with these good musicians and these guys that play so well.
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I'm smart enough to know to work with smart people.
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The only time a friend has ever helped me in the industry was how I got my first job - that was through Mike Figgis.
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I really do feel now that the way I dress onstage and for work is a true reflection of my own sense of style as well.
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Immigration is a volatile issue, but we're in the middle of it now, and probably the worst thing to do is to not do anything. Everybody recognizes the current system is not working the way we want it to work. It has huge flaws to it; need to do something.
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I spent a lot of time doing really unimportant work as an actor. It was important when I started writing that I obviously make it entertaining, or no one is going to go see it - but to really make you think, that is my goal.
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Red Interactive, the digital advertising agency, is a real, systemic kind of business, as opposed to a one-off thing. We can help advertisers frustrated by old media find clients they can work with.
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After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player.
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I've had people break into profiles on my Internet; they got into my accounts. This was at the beginning of my career. There is a fair bit of alarm when something like that happens. It definitely bothered me a lot at the time. But you move on from these things.
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At the time, there were very few foreign names in the press and they were all factory workers. I thought I'd never get a job at a university with a foreign name.
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Each show comes with its own set of problems to work through.
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To be hopeful, to embrace one possibility after another that is surely the basic instinct - crying out: High tide! Time to move out into the glorious debris. Time to take this life for what it is!
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My father, who was jailed for stealing on more than one occasion, just abandoned his fatherly responsibilities and disappeared. I grew up working from the time I was nine years of age. Money was a big issue everywhere I lived.
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One of the main reasons I wanted to work on 'World War Z' was because I'm a huge fan of the book, and I love the idea of taking a non-linear story and creating a three-act structure out of it.
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Half of my library are old books because I like seeing how people thought about their world at their time. So that I don't get bigheaded about something we just discovered and I can be humble about where we might go next. Because you can see who got stuff right and most of the people who got stuff wrong.
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The primary goal of publishing general fiction and non-fiction was never profit - though profit was essential to stay in the game. Publishing is a vocation in which the work is its own reward, an insufficient goal for today's conglomerates.
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Big shots are only little shots who keep shooting.
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I love flawed characters, male or female, and I only want to talk about flawed characters, really, in what I do.
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I think it's just a lot more pressure to make the scenes work when you're doing a film, because when you're doing a series you feel like, I have so many scenes, so many episodes, so if I don't get it exactly right this time, I have another scene later. You feel less pressure.
