Chord Overstreet Quotes
Quotes to Explore
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I'm so intrigued by women throughout history where the significance of what they were representing at that time is obscured by the fact a man saved them or they were prostitutes.
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When I go back to New York all these years later, I'll walk down Seventh Avenue, and I'll hear, 'Yo, Oz!' In New York, I get recognized for that all the time.
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Don't trust anyone over 30.
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In the political system, we are a team; politics and bureaucracy, we are a team. The politicians, bureaucrats and the people, we are a team.
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As a filmmaker, I really want to utilize the tools to carry the voice - my voice, and the voice of the characters.
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I don't think about fights that didn't happen.
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All the revision in the world will not save a bad first draft: for the architecture of the thing comes, or fails to come, in the first conception, and revision only affects the detail and ornament, alas!
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I will admit to hoarding beauty products. I'm a beauty lady.
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None of the kids in the neighborhood had dogs. My dad walked in that Labrador, and we started running together and rolling around together like we found each other after years apart. And then, suddenly, some of the other people in the neighborhood started getting dogs, too.
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My thinking is lot more different with many actresses in the industry. I don't understand why people in showbiz put their profession of acting in the back seat after marriage.
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America is rather like life. You can usually find in it what you look for. It will probably be interesting, and it is sure to be large.
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My sense is that the wonderful technology that we have to visualize the inside of the body often leaves physicians feeling that the exam is a waste of time and so they may shortchange the ritual.
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There's no experience like on-the-job training.
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Over the years, Western governments have been criticized for working with foreign police who have proved abusive or corrupt.
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When I think about myself as a writer, for sure I am a science fiction writer. The tools of extrapolation, the tools of anticipating the future - those are science fictional questions.
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I struggled with the pressure of having the successful record after the first record. Second album syndrome. I'm living proof; it's very real. It was like a psychological battle to be creative. I used to never feel pressure to be creative; it's always just been a fun thing. And then suddenly it's my job, and people are asking, 'Where's the record?'
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I try to do as much as I can, every facet of filmmaking.
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Only in a concert situation do I have access to people directly to preach to them, and I don't believe that the bigger your platform is, the more people will pay attention.
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Three quarks for Muster Mark! (383.1)
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I know when I was little, having my Thai mom, even I was weird about fish sauce and fish heads and clams. I kind of sided with my dad because he was a big American guy. So, we were very meat and potatoes, but I really wish I had grown up appreciating my mom's taste a bit more.
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Is it not possible that an unruly head of hair, an infectious smile, eyes that seem remarkable for the depths of their sincerity, a cultivated air of authority, may attract huge television audiences regardless of the violence that may be done to truth or objectivity?
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It's hard to get lost in a scene, to get into a character when everyone's standing around you on the set.
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My hair looks awful while wet, I will say that.
