Chord Overstreet Quotes
Quotes to Explore
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I'm so intrigued by women throughout history where the significance of what they were representing at that time is obscured by the fact a man saved them or they were prostitutes.
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When I go back to New York all these years later, I'll walk down Seventh Avenue, and I'll hear, 'Yo, Oz!' In New York, I get recognized for that all the time.
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Don't trust anyone over 30.
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In the political system, we are a team; politics and bureaucracy, we are a team. The politicians, bureaucrats and the people, we are a team.
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As a filmmaker, I really want to utilize the tools to carry the voice - my voice, and the voice of the characters.
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I don't think about fights that didn't happen.
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All the revision in the world will not save a bad first draft: for the architecture of the thing comes, or fails to come, in the first conception, and revision only affects the detail and ornament, alas!
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I will admit to hoarding beauty products. I'm a beauty lady.
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None of the kids in the neighborhood had dogs. My dad walked in that Labrador, and we started running together and rolling around together like we found each other after years apart. And then, suddenly, some of the other people in the neighborhood started getting dogs, too.
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My thinking is lot more different with many actresses in the industry. I don't understand why people in showbiz put their profession of acting in the back seat after marriage.
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America is rather like life. You can usually find in it what you look for. It will probably be interesting, and it is sure to be large.
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My sense is that the wonderful technology that we have to visualize the inside of the body often leaves physicians feeling that the exam is a waste of time and so they may shortchange the ritual.
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There's no experience like on-the-job training.
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Over the years, Western governments have been criticized for working with foreign police who have proved abusive or corrupt.
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When I think about myself as a writer, for sure I am a science fiction writer. The tools of extrapolation, the tools of anticipating the future - those are science fictional questions.
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I struggled with the pressure of having the successful record after the first record. Second album syndrome. I'm living proof; it's very real. It was like a psychological battle to be creative. I used to never feel pressure to be creative; it's always just been a fun thing. And then suddenly it's my job, and people are asking, 'Where's the record?'
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I try to do as much as I can, every facet of filmmaking.
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Only in a concert situation do I have access to people directly to preach to them, and I don't believe that the bigger your platform is, the more people will pay attention.
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Instead of accepting what James Baldwin called the "lie of whiteness," many people in lots of different fields and movement activities have tried to productively make it into a problem. When did (some) people come to define themselves as white? In what conditions? How does the lie of whiteness get reproduced? What are its costs politically, morally and culturally?
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That's why I had to leave Hair on Broadway, because I did it for about a year, and one night I was doing the show, and I realized, well, this is not real. I told the director. He says, man, it was a killer show tonight.
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I definitely think prom should feel sophisticated. I'm not really into cutouts and all that. I would go for a more simple look - maybe a dark-colored dress and a red lip and long wavy hair; and for nails, a French tip is always classic and cute!
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My mom was on a soap opera for 40 years, so I know about love and romance.
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We have to accept that making movies is a never-ending process of occasional progress, frequent setbacks, and unexpected curveballs being thrown our way. Navigating that process requires stamina, curiosity, openness, and creative fire.
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My hair looks awful while wet, I will say that.
