Chord Overstreet Quotes
Quotes to Explore
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I'm so intrigued by women throughout history where the significance of what they were representing at that time is obscured by the fact a man saved them or they were prostitutes.
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When I go back to New York all these years later, I'll walk down Seventh Avenue, and I'll hear, 'Yo, Oz!' In New York, I get recognized for that all the time.
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Don't trust anyone over 30.
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In the political system, we are a team; politics and bureaucracy, we are a team. The politicians, bureaucrats and the people, we are a team.
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As a filmmaker, I really want to utilize the tools to carry the voice - my voice, and the voice of the characters.
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I don't think about fights that didn't happen.
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All the revision in the world will not save a bad first draft: for the architecture of the thing comes, or fails to come, in the first conception, and revision only affects the detail and ornament, alas!
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I will admit to hoarding beauty products. I'm a beauty lady.
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None of the kids in the neighborhood had dogs. My dad walked in that Labrador, and we started running together and rolling around together like we found each other after years apart. And then, suddenly, some of the other people in the neighborhood started getting dogs, too.
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My thinking is lot more different with many actresses in the industry. I don't understand why people in showbiz put their profession of acting in the back seat after marriage.
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America is rather like life. You can usually find in it what you look for. It will probably be interesting, and it is sure to be large.
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My sense is that the wonderful technology that we have to visualize the inside of the body often leaves physicians feeling that the exam is a waste of time and so they may shortchange the ritual.
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There's no experience like on-the-job training.
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Over the years, Western governments have been criticized for working with foreign police who have proved abusive or corrupt.
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When I think about myself as a writer, for sure I am a science fiction writer. The tools of extrapolation, the tools of anticipating the future - those are science fictional questions.
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I struggled with the pressure of having the successful record after the first record. Second album syndrome. I'm living proof; it's very real. It was like a psychological battle to be creative. I used to never feel pressure to be creative; it's always just been a fun thing. And then suddenly it's my job, and people are asking, 'Where's the record?'
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I try to do as much as I can, every facet of filmmaking.
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Only in a concert situation do I have access to people directly to preach to them, and I don't believe that the bigger your platform is, the more people will pay attention.
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Nobody wants to read about the honest lawyer down the street who does real estate loans and wills. If you want to sell books, you have to write about the interesting lawyers - the guys who steal all the money and take off. That's the fun stuff.
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Studios are so used to digital now, and there is a mythology that it's cheaper. But it's really not cheaper. For instance, digital is great for night exteriors; everybody knows it's a video tap, so it's very responsive to light. So you can go out at night, shoot with digital, and it's gorgeous, beautiful to look at.
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I loved history, particularly of the British, American and Old Testament kind.
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People have always called me Schneider Monkey just because of my energy and mass consumption of bananas. Plus, I just love monkeys, so I thought, 'Well, I love monkeys, I love my fans, why not put the two together?'
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You have to practice until you die.
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My hair looks awful while wet, I will say that.
