Flume Quotes
I struggled with the pressure of having the successful record after the first record. Second album syndrome. I'm living proof; it's very real. It was like a psychological battle to be creative. I used to never feel pressure to be creative; it's always just been a fun thing. And then suddenly it's my job, and people are asking, 'Where's the record?'
Quotes to Explore
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To steal a term from one of my Twitter followers, 'Deathlok' is the 'anti-villain.' He's on the side of the bad guys, but he obviously doesn't want to be there.
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My first car was an '84 Ford Taurus. It caught on fire from me trying to change the fuel pump, so that wasn't good at all. Dried leaves on the ground while I was trying to change the fuel pump. Don't do that. Do it on concrete.
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The problem men seem to have, and women, too, is that they have this very structured idea that we should find a partner and settle down and be, you know, faithful. And yet clearly this is really, really hard for anybody to do!
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I always wanted to entertain. When I was little, I would sing in front of the mirror with a hairbrush or my sisters and I would make shows. I always wanted to be on TV.
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Every group has its idiosyncrasies, but at a certain point we all are human.
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I lost 'The X Factor,' and I lost 'Deal or No Deal' twice. I'm good at losing game shows.
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Often, little situations trigger enormous reactions. Be there, present for it. Your partner will find it easier to see it in you, and you will find it easier to see it in them.
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I take my kids to school... I make them breakfast. Unfortunately, dad is a big spoiler, and most days, I make four different breakfasts.
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Playing Juliet in 'Heavenly Creatures' changed my life, and the role of Clementine in' Eternal Sunshine of the Spotless Mind' opened many new doors creatively.
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I love the fact that everyone's trying to be good-looking in L.A. - then I turn up and I get work.
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The idea that modernisation makes for enhanced national power and rapid progress and helps everyone achieve greater happiness has its origins in the astonishing political, economic and military successes of western Europe in the 19th century.
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I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.
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Creativity is the key to success in the future, and primary education is where teachers can bring creativity in children at that level.
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No one politician should be allowed to judge the guilt, to charge an individual, to judge the guilt of an individual and to execute an individual.
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Many a poor soul has had to suffer from the weight of the debts on him, finding no rest or peace after death.
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When I was in high school, I was doing all the plays. My drama teacher, Melody Duggan, was the one one who first made me do stand-up. She's the origin of the whole thing; it's all her. In high school in Denver, that was kind of the beginning of it all.
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I remember feeling that Michael was extremely sensitive when it came to that moment. Most directors are and they usually rely, at least in my experience, on the actress to take over. And Michael is a gentleman.
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When you look at the lyrics of 'Sometimes When We Touch,' it's really very much an adolescent song.
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These days, with 'American Idol' and all the other reality shows, young people become famous overnight, and that can be very difficult to handle, the way photographers follow you around and study your every move.
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Nothing is intrinsically valuable; the value of everything is attributed to it, assigned to it from outside the thing itself, by people.
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I don't do it often, but I do cry. I also laugh a lot; people tell me I'm funny and I do like to laugh.
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I have never been able to wear a hat. My hair is peculiar in that it grows so fast that any hat I put on instantly leaps from my head.
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I struggled with the pressure of having the successful record after the first record. Second album syndrome. I'm living proof; it's very real. It was like a psychological battle to be creative. I used to never feel pressure to be creative; it's always just been a fun thing. And then suddenly it's my job, and people are asking, 'Where's the record?'
