Chris Cubas Quotes
If you like looking at 'Starry Night' or water lilies or whatever, then why does it matter if it's an original? If the artist is still alive, and you want to support them, I get it. But if you want some famous dead guy's work, that's just a way for rich people to show off. It's the upper-class version of driving a giant Hummer.
Quotes to Explore
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I think knowing where you can generally fit is important, but the fun thing about being an actor is sometimes stretching beyond that stereotype and stretching beyond the box that people put you in.
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When I went to drama school, I knew I was at least as talented as other students, but because I was a black man and I wasn't pretty, I knew I would have to work my butt off to be the best that I would be, and to be noticed.
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I always get sick of these conversations where people are so obsessed with pixels, with high definition, and even with technology in general. I find it just dull and heartless. And so I wanted to use only the worst machines.
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The people I am most interested in are the ones on the edge of losing everything and falling into the last bit of despair. I'm trying to write about how people exist on that edge and how they can come back.
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My plans are not to open a restaurant, but what I would like to do is open a kitchen somewhere in D.C. proper and have a chef's table where people can come and taste my food without having to have a catered event.
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I've been fortunate to work with partners like Weinstein and John and Art Linson in developing 'Yellowstone' and am grateful that it has found a home in the Paramount Network. The show is both timely and timeless.
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I love observing people. Each face tells so many stories. It lets me understand emotions, and that, in turn, helps me apply my skills as an actor.
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On a personal level, there are many people who have meant a great deal to me. My father and mother were certainly of vital importance, not only in themselves but because they created a world for me to revolt against.
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I found that I need to work, and I wouldn't have known that if I hadn't taken the time off.
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I think Delhiites know how to party, but Kolkata has people who know how to celebrate. I think that's the main difference.
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I try and get about eight hours of sleep every single night. And I like to think that I drink more water than anyone, ever.
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For my own part, I had rather suffer any inconvenience from having to work occasionally in chambers and kitchen... than witness the subservience in which the menial class is held in Europe.
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People like to pigeonhole you. It's easier.
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The most intense curiosity and excitement prevailed, and though the weather was uncertain, enormous masses of densely packed people lined the road, shouting and waving hats and handkerchiefs as we flew by them.
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My biggest bits of advice are, write as much as you can, finish what you start, get a thick skin, don't take crap from anyone, but also live your life and have fun. The stereotype of a writer holed up alone all day is really unhelpful. You can't write real people and real emotion if you don't let yourself experience them.
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You need to feel that the game is important to you. Lose that feeling and you lose your edge. There's no faking that kind of emotion. You can't invent the feeling. It's got to be natural, real.
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We tend to think of extremes of emotions as registering, for example, you have to cry or laugh or get angry. But for the most part, we find it difficult to read each other most of the time. If you walk through the street, most people are pretty difficult to read. But they're thinking inside.
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Collaboration is just, really, a group of people getting in a room with their eye on a very similar prize and wanting to come out with the same show. The director, ultimately, is the guy in front of whom the buck stops. So, he has to have the courage to prevail. But, he has got to have a huge amount of respect for his collaborators.
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Reject cynicism. Reject certitude. And don't be a jerk. Be a good guy.
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I'm very interested in working with nonprofits, people in education, medicine, people who are doing things to improve the world and who don't have the money to come to Siegel+Gale for help.
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If you look at my career... I couldn't possibly have chosen those subjects if I was thinking, 'That's a great commercial idea.' I'm not aware of a great musical where someone has done that.
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Tennis has been around for so long - women have been playing the majors since the 1800s. Other sports have not had professional leagues for women for as long.
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If you like looking at 'Starry Night' or water lilies or whatever, then why does it matter if it's an original? If the artist is still alive, and you want to support them, I get it. But if you want some famous dead guy's work, that's just a way for rich people to show off. It's the upper-class version of driving a giant Hummer.
