Chris Jordan Quotes
What I aspire to is to have the viewer look directly at the subject, as if they're looking through a window at the real thing.
Quotes to Explore
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There is a healthful hardiness about real dignity that never dreads contact and communion with others however humble.
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The real problem at the moment is that the banks - because of their existing culture, which is frankly anti-business, obsession with short-term trading profits, not focusing on the long term - are throttling the recovery of British industry.
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We had a few non-fiction books at home, but my dad was of the opinion that fiction was a complete and utter waste of time because it wasn't real - so what was the point of reading it?
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When we meet real tragedy in life, we can react in two ways - either by losing hope and falling into self-destructive habits, or by using the challenge to find our inner strength. Thanks to the teachings of Buddha, I have been able to take this second way.
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Humor has to surprise us; otherwise, it isn't funny. It's a death knell for a writer to be labeled a humorist because then it's not a surprise anymore.
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I have a real interest in baking. I'd love to go to culinary school. That's actually my plan: to graduate high school and go to culinary school.
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Little moments can have a feeling and a texture that is very real.
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A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.
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The real composer thinks about his work the whole time; he is not always conscious of this, but he is aware of it later when he suddenly knows what he will do.
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The real damper on employee engagement is the soggy, cold blanket of centralized authority. In most companies, power cascades downwards from the CEO. Not only are employees disenfranchised from most policy decisions, they lack even the power to rebel against egocentric and tyrannical supervisors.
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I think the real problem is that nobody buys albums anymore, so you don't get the depth of the artists that are out today. What you get is whatever they felt is politically correct to get on there and actually make some impact. I think that's where you're losing your depth. You're only getting the very top of everything. It really bothers me.
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Then if your movie clicks with real audiences, you'll be sucked into some sort of Hollywood orbit. It's a devil of a place where the only religion that really counts is box office.
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I think at Le Cirque I learned how to make real food, which is what people crave, not just gimmicky things on a plate.
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Most of us can now record a whole series with the click of a button. We all have DVD players, and the rise of the DVD box-set means we watch this stuff in two, three-hour sessions. So there is this real appetite out there for lengthy, pretty intricate drama. All that is great news for writers.
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My father has been the real anchor of the family. He's the one who has always encouraged my mother, my brother and me.
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The hostility between India and Pakistan has become a habit to which both the elites have become addicted. Any attempt towards a rational solution to real problems is denounced by chauvinists on both sides.
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The real names of our people were destroyed during slavery. The last name of my forefathers was taken from them when they were brought to America and made slaves, and then the name of the slave master was given, which we refuse, we reject that name today and refuse it. I never acknowledge it whatsoever.
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Hopefully, people will rediscover real country music. After all, it's in my blood.
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Bobby Womack is always very real, both with his music and as a person.
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Mine was an apparent forward movement whereas Burley's was a continuous serpentine movement.
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Whenever there's heavy-duty emotional work to be done, they call me. As for playing the completely off-the-wall, sexy, gorgeous lady that I am - no, they don't think of me.
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Although my father is English, I was brought up in Australia.
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Actually, I have an interest in finishing my Ph.D., but I just know I never will.
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What I aspire to is to have the viewer look directly at the subject, as if they're looking through a window at the real thing.
