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I'm not a big fan of 'Jersey Shore' and those kinds of shows where people are really playing up to the cameras.
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I don't like to analyze what I do too much, but I certainly never meet a single person and say, 'You're the next character.' People think that's what I do. They also think that I sit down and observe and try to imitate random people. I've never done that at all.
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If you over-think, it affects things too much; I work instinctively, like painting in a way. Think too much, and you ruin everything.
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It's pretty awful being told you're a racist.
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When no one knows you, and you're just trying to break into stuff, it's so good because you can write whatever you want and just say it; it's just between you and the audience. There's no process or worrying about anyone else interfering with what you're doing.
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I get bored with the constant probing for the cliched tears of the clown, the dark side of the comic.
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I would love to play a British character one day. My accent wavers between Scottish and Irish very easily, though.
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Like, Australians definitely don't walk around dressed up in blackface going, 'Ha-ha.'