Chris Meledandri Quotes
You have to love Dr. Seuss to take on the responsibility of conveying his work in animation or any medium.
Quotes to Explore
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'Frontline' started doing digital content in 1995. We started streaming our films in 2000.
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After leaving school, I travelled around Europe for about six months. In Denmark, I thought that was my chance to get an amazing haircut, so I went to what I thought was a great hairdresser. It turned out to be the car wash of hairdressers, and I walked out sporting yet another pudding bowl, but this time with a stripe bleached down the centre.
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It is not only our duty but our moral obligation to break from the oppression of debt. We must rise above the political considerations and do what is right for the future of our nation.
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France is a fantastic country. It's between the Anglo-Saxon and Latin cultures. We have some of the Anglo-Saxon rigor, and some of the Latin quirkiness.
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I was supposed to be a doctor. I was supposed to go to Princeton. And everything I was supposed to do I didn't.
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Lester is the Rock of Gibraltar. Nothing can rattle him. I am not. I was always flying off the handle about things. And the one person who could calm me down and make me realize that none of this silliness mattered was Lester Holt.
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Some people feel that what we're doing makes no sense, that it's just a waste of money. But it's working.
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Trials by the adversarial contest must in time go the way of the ancient trial by battle and blood.
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One of the darkest evils of our world is surely the unteachable wildness of the Good.
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I was very involved with school by the time I was 15 and wasn't working much as a model.
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That element of surprise is what I look for when I am writing. It is my way of judging what I am doing - which is never an easy thing to do.
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Eazy-E is going to remain Eazy-E. But I will not portray Compton as a bad city.
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I'm very easily distracted unless I have music on. Listening to music while I brainstorm makes me think of scenes that would fit the mood of the music I'm playing.
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Love is dangerous; it's not something to be trifled with. As good as it feels on the way in, it feels that much worse on the way out.
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For me it's the high-water mark of American culture - not so much contemporary jazz, which has become kind of academic, but the jazz from the '20s on through the '70s.
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I'm not the kind of actress that goes home with the character. I mean, you're thinking about the work or the next day's scenes, but not staying in character. But as a film goes on, you become more and more fragile, emotionally. And physically too, actually.
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The system of nature, of which man is a part, tends to be self-balancing, self-adjusting, self-cleansing. Not so with technology.
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I used to be pretty reckless. When I was a runner for a production company, I drove a massive 16 seater van. I was only 18. I mean I look young now, but then I looked about 12.
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The best memories on tour are always of kids who tell me they are going to run back to their classrooms and start writing!
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What are you gonna do, talk the alien to death?
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I'd like to actually work with a lot of other people, and whether it's someone who is completely unknown who I love and think is a talent, maybe I'll work with them, or, like, maybe I'll work with some of the biggest pop stars and write music for them.
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While I drew, and wept along with the terrified children I was drawing, I really felt the burden I am bearing. I felt that I have no right to withdraw from the responsibility of being an advocate.
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You have to love Dr. Seuss to take on the responsibility of conveying his work in animation or any medium.
