Wiz Khalifa (Cameron Jibril Thomaz) Quotes
Quotes to Explore
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Khomeini was not a puppet like Arafat or Qaddafi or the many other dictators I met in the Islamic world. He was a sort of Pope, a sort of king - a real leader.
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I loved every place I lived and traveled. London, Paris, Rome, Venice. I fell hard for Central America and Mexico. In each country, I had fantasies that I could live there.
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I think, living in the city, it's so easy to forget that you're attached to the earth.
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Vox populi vox dei: the voice of the people is the voice of God. The slogan was useful for those who first attempted to substitute the people for God as the source of political authority. Their attempt was ultimately so successful that God no longer seems to be needed in government.
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I do think that 'Pretty Little Liars' has raised the bar in how social media can tie into the fan base watching the show.
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I started acting when I was 5 years old. And I was pretty well known for a while. Your self-esteem and your identity start to become wrapped up in that celebrity, and when that starts to fade away, your self-esteem and your identity start to fade away with it.
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I love things that are indescribable, like the taste of an avocado or the smell of a gardenia.
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We've all heard of the surveys revealing that teenagers think cows lay eggs, and others where children can identify more brand logos than trees, by a staggering margin. My view is that children will form a significant part of the green fightback. They instinctively understand the value of the environment.
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There are 309 million people out there that are trying to improve their lot in life. And we've got a system that allows them to do it.
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To align with our new strategy to enhance the Windows device ecosystem, we are integrating Microsoft Mobile Device Sales (MMDS) underneath the Consumer Channels Group (CCG).
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I like to get up around 5:30 or six - that's my favorite time of day. My family is still asleep, and the office is still closed, so I can start my day slowly.
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After five years in Ferrari, being second all the time, I think it was enough for me.
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Let me tell you, my career went from zero to 900. Its hard keeping up with that pace, but I wouldn't trade it for anything else in the world.
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The whole idea is whatever you do, have fun with it; try to make sure that it's quality and something you don't mind putting your name on.
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I could probably name thousands of albums that I want.
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I was 12 when it really hit me. I did children's theatre camp during the summers and played a fairy in 'A Midsummer Night's Dream.' The next summer, I played Clytemnestra in 'Agamemnon' and I was like, 'OK, this is amazing.'
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The test of good manners is to be able to put up pleasantly with bad ones.
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You have to just dive over the edge. You haven't got time to mess about.
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I don't think if you asked any of my childhood friends they would say that I had a weird childhood; they might say there weren't a lot of regular rules, the conversations in the house were always very open, dreams were a great thing to talk about, everybody was making something all the time.
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Clare Fischer was a major influence on my harmonic concept. He and Bill Evans, and Ravel and Gil Evans, finally. You know, that's where it really came from. Almost all of the harmony that I play can be traced to one of those four people and whoever their influences were.
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I'm fascinated with worlds where there's a small population left, whether it's a movie or these TV shows that fascinate me - 'Falling Skies' or 'The Walking Dead' - they are about survival and triumphing over difficult times. I just have a thing for 'em.
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Why did you do all this for me?' he asked. 'I don't deserve it. I've never done anything for you.' 'You have been my friend,' replied Charlotte. 'That in itself is a tremendous thing.
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I've done a lot of work to get where I'm at, but I have to keep working.
