Nick Jonas Quotes
I'm really open to just about anything but I think the real dream is to be able to write my own thing.
Quotes to Explore
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I understand the desire to write and read about the death of publishing. It's a perversely and universally appealing topic.
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I can't tell you how lucky I feel to be able to collaborate with some of my dream producers.
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It is by no means an irrational fancy that, in a future existence, we shall look upon what we think our present existence, as a dream.
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There comes a point when a dream becomes reality and reality becomes a dream.
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It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
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I started out with a dream to make a star in a jar in my garage, and I ended up meeting the President of the United States!
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I never write about the road. I never write about hotels or anything like that.
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As delicate as 'Guy and Madeline' was, it was important that 'Whiplash' come off as more of a fever dream.
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As a kid, you obviously dream of being a professional footballer. I would watch players like Ronaldo of Brazil and pretend to be him in the playground. But I don't think about trying to become one of the best in the world or anything like that. I just play football.
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The dream of empire died when Shanghai surrendered without a fight. Even at the age of 11 or 12, I knew that no amount of patriotic newsreels would put the Union Jack jigsaw together again. From then on, I was slightly suspicious of all British adults.
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I don't dream at night; life has given me the stuff I need to be able to dream during the day. I'm very lucky.
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I have always had a dream to take part in an Olympic Games, and losing my leg didn't change anything.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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Over the years, I had nurtured the hope to be able to fly; to handle a machine as it rose higher and higher in the stratosphere was my dearest dream.
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I've been extremely fortunate in my life. So I actually believe that I'm the living embodiment of living the American dream.
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I dream in numbers, and I like to look up the meaning of numbers, and numbers stick out to me.
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To have someone like Clint Eastwood come along and shoot your first draft as written is just any screenwriter's dream. And Clint is very straightforward. If it's good enough to get his attention, it's good enough to produce.
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I write in the studio.
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Written by the ancient Chinese philosopher of the same name, the 'Zhuangzi' is one long perplexing puzzle of a rambling collection of enigmatic short stories. It's a strange feeling to laugh at a joke written by someone in the 4th century B.C.
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At some point, you got to stop caring about people's expectations and care only about your expectations of yourself.
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I guess there's a certain amount of poking fun at certain characters, but that's because there is something amusing about them or about the way they behave, so I guess you can say that that's poking fun at the character. But the character is your own invention, so who cares?
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In a way, it [my style] is an homage. But I didn't really know about it at first. But then when I started living in Berlin in the early '90s, I started getting ID and Dazed and Confused. I was shocked how close things were to my work.
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The charm of the Replacements is that we’re not the greatest musicians on the planet, we’re a great f—ing rock’n’roll band.
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I'm really open to just about anything but I think the real dream is to be able to write my own thing.
