Nick Jonas Quotes
Quotes to Explore
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In Paris, AIDS was dismissed as an American phobia until French people started dying; then everyone said, 'Well, you have to die some way or another.' If Americans were hysterical and pragmatic, the French were fatalistic: depressed but determined to keep the party going.
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Most of the producers don't know what they do. The misconception of the producers' function is really not a misconception. Most producers don't do a very good job.
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I'm extremely fascinated by marriage. I want to study marriage. I want to learn about it. I want to know it. I want to figure out whether or not I want to do it. I'm not just going to leap into it, because that's not good for anybody.
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Again, in Wag the Dog, war has to be declared by an act of congress. But if you go to war, you don't have to declare war. You're just at war and we did that, which is not legal.
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If I just did music, I might go insane. I need words; I need stories. And it's the same the other way around.
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The true character of ministry is a servants heart.
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I have a preference for film just because of the familiarity. It's what I know, and I sort of have nostalgia for it.
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The Old Firm clubs are not easy clubs to manage and sometimes I think frustration comes in that, in the end, make you happy to be leaving.
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A lot of things in 'Parents' I find very truthful.
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I'm one of those crazy people, if I'm watching the trailer for a movie and I'm really excited by it, I'll turn it off because I don't want to know anything. I want to be surprised because I love that more than knowing anything.
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A journalist covering politics, most of us are aware of the necessity to try to be sure we're unbiased in our reporting. That's one of the fundamentals of good journalism.
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Select a subject that interests you and make an effort to become an expert in that field. I promise you, if you make the effort, and you become an expert, you will have a wonderful career.
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The real force of Silicon Valley is the mentality, the spirit. There's no reason at all that can't be replicated in Paris.
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There are just so many funny kids and teenagers. They're just not aware of how funny they are.
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Again, one of the problems I have with television, as I mentioned before, is it's trivial in many ways, and I think that a lot of folks out there are looking for new metaphors and new ways of thinking about things.
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An inspiring word for me is to think of myself as limitless.
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I was born in Ballaghadreen, but I grew up in Galway, and when I went to the University College of Galway, I became involved in the drama society there and started directing plays.
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I have been taking every step toward the future every day through making many paintings and sculptures with my deep emotion hidden in my life.
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School was a very cruel environment, and I was a loner. But I learnt to get hurt, and I learnt to cope with it.
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The people of Shishmaref want their community to survive, but they are holding on to their legacy by a very delicate thread indeed. The threat of their land disappearing is only the beginning.
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The military code of justice sets out exactly what type of charges are available for specific acts.
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For me the visual is just as important as the music. I would never record without my red lipstick. It was my way of getting into character, sort of like Method singing.
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In New York, everyone's really neurotic and talks about themselves all the time.
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It's the hope for all the hopeless in the worst of trying times.
