Betty Gilpin Quotes
'GLOW' is the first time I feel like I've been able to have a theatrical experience on the small screen: to really be able to marry the two. And I love it.
Quotes to Explore
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I'm not a big fan of talking about dying. And then I make a movie where I kill everybody.
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If you have a government that is elected, they need to do the hard work - because if they don't, they won't be around the next time the ballot box is open.
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I could be the best looking guy in the Duma, but that's only because all the other guys are over 60.
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I think good companies can navigate being public and doing the right things for their customers.
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I think, when I was younger, I believed in - and yearned for - conventional beauty. I thought there was a spectrum from ugly to beautiful, and that you could objectively plot everyone you saw along it.
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I like hip-hop, but I don't like concerts. There's, like, sweat on people's backs.
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As Mayor, I will use my experience to make San Francisco a place where small businesses can thrive.
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I've overcome neglect and deprivation, abandonment and abuse.
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I just started making Bloody Marys. I always thought they looked gross, then I tasted one. There's an art to it, from the Tabasco to the Worcestershire.
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A lot of hard work goes into making a film. It's not all fun time, as people tend to think. There are always stereotypes attached to every profession, but I found out this industry breaks them all.
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Dave thought he was bigger than Van Halen the band. So there was this catfight going on for 10 years.
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I'm a physical comedian first - and I'm a woman before that.
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Music therapy was so important in the early stages of my recovery because it can help retrain different parts of your brain to form language centers in areas where they weren't before you were injured.
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I am just a plain Jew; I mean have no training.
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Jason Momoa became a really good friend of ours when he played Khal Drogo. We loved hanging out with Momoa, and suddenly we couldn't bring him to Belfast anymore.
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When I was young, I was extremely scared of dying. But now I think it a very, very wise arrangement. It's like a light that is extinguished. Not very much to make a fuss about.
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My sister and I said, Dad, are you doing to do anything about that? And he mentioned treatments other people sent him that he'd been working on. So we thought it would be kind of cool to give these guys a real script.
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My mother and father were both much more remarkable than any story of mine can make them. They seem to me just mythically wonderful.
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What I am afraid of is the first thing I was ever aware of being afraid of and what I have told my daughter countless times she need not fear: being alone in the dark. It is a small prison of emotion from which there is no escape. It is also, in its own way, a shattering revelation.
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I feel close to the rebelliousness and vigour of the youth here. Perhaps time will separate us, but nobody can deny that here, behind the windows of Manchester, there is an insane love of football, of celebration and of music.
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I don't take off my nail polish when I go home because I'm too lazy, and they're fine with it. Maybe the checkout at the grocery store's not so great with it, but they're fine with it. The distrust, the phobias, those are learned, those are taught. But the natural grace is to understand and to love.
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Experiences from our youth shape what we do later in life.
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'GLOW' is the first time I feel like I've been able to have a theatrical experience on the small screen: to really be able to marry the two. And I love it.
