Betty Gilpin Quotes
Getting to work with Edie Falco and watching her be a quiet presence - but a very powerful presence - and so brilliant and free? That was the first person I saw where I was like, 'I want to emulate that.'
Quotes to Explore
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We must break problems down into small, digestible bits. We must define the concepts that we use and explain what components they consist of. We must tackle small problems.
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I can improve it a little bit. But it's my head, it's the way I am. So at the end of the day, I will be who I am and I will win how much I can win.
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Sometimes there's a snobbery among literary types that these people don't really get it, but in a lot of ways they get it more than the literati. There's a culture in the background that they understand and know. They get that deeper level.
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With a poetry book I can send 100 copies out to reviewers and other people, and even do it in advance and get their response. It's difficult with iPad: how do you send it out for free, and how do you even disseminate it before it goes into their store?
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Antonio Berardi is one of my good friends.
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There is something in the unselfish and self-sacrificing love of a brute, which goes directly to the heart of him who has had frequent occasion to test the paltry friendship and gossamer fidelity of mere Man.
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And I'm not an actress. I don't think I am an actress. I think I've created a brand and a business.
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Before you begin designing or buying anything, you need to get real and ask yourself: What do you really want to use this room for? What do you want to do in this room but can't now?
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I don't find any real rivalries with crime and thriller writers anyway. That might sound a little Pollyanna, but for the most part the writers I compete with, if you want to use that word, it's a pretty friendly rivalry. I think we all realise that the boat rises and sinks together.
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I believe there is a direct correlation between love and laughter.
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All the old great companies were run by guys who knew what an animator meant, and guys who knew how to draw. All the companies today are run by executives.
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South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
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Racism is everywhere - the older generations in Malaysia still say things like, 'She's darker-skinned; maybe don't marry her,' and it's very judgmental. A lot of girls do try to get fairness cream to lighten their skin, and I'm against all of that.
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You win as a team, you lose as a team, you also do so many things together.
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I just want to play for Hindus and Muslims that sit together. That's all I want to do.
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When I started in the mid-'90s, the goal was really to shoot for a film career and stay there.
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I'm my own artist, and I see artists as movies. No one should try to change them for anything. If you don't like it, you just don't follow it. And if you don't like a movie you don't watch it. Watch another movie.
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People say, 'Do you ever miss being a normal teenager?'
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I had no accomplishments except surviving. But that isn't enough in the community where I came from, because everybody was doing it. So I wasn't prepared for America, where everybody is glowing with good teeth and good clothes and food.
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You know, even when the material wasn't so good, I've gotten to work with the greats, and I've always given it my best shot. I'm satisfied with my work. I could stop tomorrow, and if Bright Young Things was my last role, I could say I tidied it up with dignity.
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I had a period in my life where I decided that I would never be bored again and that, if I had any free time at all, I would make plans, and I would always be doing things. It actually was great for a year or so, but then I lost all of my friends.
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We would work up a tune that would make me learn a drum pattern I hadn't played before. In the early stages, the pattern wouldn't just fall into place, and I would start thinking about it. And the more I thought about it, the worse it would get.
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The right to own is the mark of a free man. The slave is a slave simply because he is denied that right. And because the free man is secure in the possession and enjoyment of what he produces, and the slave is not, the spur to production is in one and not in the other.
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Getting to work with Edie Falco and watching her be a quiet presence - but a very powerful presence - and so brilliant and free? That was the first person I saw where I was like, 'I want to emulate that.'
