Betty Gilpin Quotes
Quotes to Explore
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I love Mike Tyson. I was a fan, as everybody else was. The moment somebody stood up to him, he didn't do so well. And that's the same thing with Anthony Johnson. The guy's a bully. He wants to intimidate you; he wants to dominate you. He wants to knock you out. But what happens when you don't knock somebody out? What happens?
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Born with blue spectacles, you would think the world was blue and never be conscious of the existence of the distorting glass.
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You know they're not going to lose 162 consecutive games.
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Antonio Berardi is one of my good friends.
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I was happy to be with my parents. I didn't see very much of them, so I was very happy when my father was there and out of jail.
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I've never been one to want to be the center of attention and be put up on stages every night. That's just not really my personality. I'm comfortable with it now, but my real passion is being creative.
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You never lose by loving. You always lose by holding back.
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Fine art is really something I want to get into.
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I'd pull my little brother on our motorcycle on an inner tube behind it. We would go fishing, we would hunt some, growing up.
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I can only try to keep the characters interesting; it's up to the readers to decide whether they're still relevant.
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I would love to be a dad. For the longest time, I've wanted kids, but you have to have the right setup, right?
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In Italy there's perhaps a little less space than in Spain, but there's certainly as much sunshine.
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The luster of an experience can actually go up with time. So, learning to play a new instrument, learning a new language - those sorts of things will pay dividends for years or decades to come.
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Even if you have a big tune, live crowds can get sick of it. It's not just about the song but also the staying power and if people have connected with it in a certain way. I know that the tracks I put more emotion and depth into are the ones that have the staying power in clubs.
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I'm not so presumptuous to feel that they're gonna get it right away, get exactly what I have in mind. I hope that they'll enjoy looking at it at any rate, whatever it is. And that's why I started writing stories on my work.
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A secure pluralistic society requires communities that are educated and confident both in the identity and depth of their own traditions and in those of their neighbours.
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O vitae tuta facultaspauperis angustique lares! o munera nondumintellecta deum!
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After 'Prom Night' I did two movies where I was playing a prostitute. I gravitate towards characters that have some sort of inner turmoil or some sort of character arc. That's the great thing about acting, so many different things and being really diverse in your choices.
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I love doing impersonations of people.
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Ethical axioms are founded and tested not very differently from the axioms of science. Truth is what stands the test of experience.
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I tried to drown my sorrows, but the bastards learned how to swim, and now I am overwhelmed by this decent and good feeling.
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I was the first critic ever to win a Tony - for co-authoring 'Elaine Stritch at Liberty.' Criticism is a life without risk; the critic is risking his opinion, the maker is risking his life. It's a humbling thought but important for the critic to keep it in mind - a thought he can only know if he's made something himself.
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Real data is messy. ...It's all very noisy out there. Very hard to spot the tune. Like a piano in the next room, it's playing your song, but unfortunately it's out of whack, some of the strings are missing, and the pianist is tone deaf and drunk- I mean, the noise! Impossible!
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The smell of a perm is this special kind of Chernobyl-grave soup smell.
