Malaika Arora Khan Quotes
As a rule, all relationships go through their ups and downs. It's really about how much you want it.
Quotes to Explore
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There's a critic that I love, Manohla Dargis of the 'L.A. Weekly.' I like the underground point of view; it's my old radical sympathies. Maybe I like her because she likes my movies.
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I love to walk into Borders or Barnes & Noble and see my books there. It's fabulous.
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Ninety percent of the comic books I've written in the past had little or nothing to do with Islam.
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Instead of yelling and spanking, which don't work anyway, I believe in finding creative ways to keep their attention - turning things into a game, for instance. And, when they do something good, positive reinforcement and praise.
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I feel sorry for the man who marries you... because everyone thinks you're sweet and you're not.
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I don't want to be known as an item dancer. I want to be known as an actress only.
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People are struggling. They're trying to make ends meet, and they're looking for Washington to deliver for them. And they don't feel that that's been happening as quickly as it should. We share that frustration. There's no one more frustrated than President Obama.
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Great talents are the most lovely and often the most dangerous fruits on the tree of humanity. They hang upon the most slender twigs that are easily snapped off.
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We are shallow because we are 'mayabang,' ego driven, and do not have the humility to understand that we are only human, much too human to mistake knowledge for wisdom.
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I'm totally a geek.
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I've been able to make some wonderful films, but sometimes you make films with great passion - great belief - and these films slightly don't work at the box office, and they become your favorite films.
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I love elephants! It's my favorite animal.
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Our vision and commitment is towards the country's progress, its place in the world and the happiness of its people.
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We've always made progress by understanding what the next great challenge is.
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I was going to go to college and graduate and move to New York and do the Broadway thing. That's where a lot of my influences vocally and writing come from. Then I did some covers, and towards the end of college, I saw it was a path I could take. I wrote more pop music.
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Feminism was about making women's lives less constrained and giving them more choices.
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I've never worried about payback. People are hungry for leadership that's not afraid of political consequence.
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I'm really good at making teen angst romantic. I'm really good at dealing with heartbreak and things like that and making it into this whole experience. But there's no way to make someone-on-the-Internet-said-something-mean-about-me into romantic angst where you can listen to music and cry or whatever.
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No one escapes from the past without bearing some of its burdens.
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I'm not looking to go out there and make a rhythmic Timbaland track.
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Some other memories of the funeral have stuck in my mind. The old boy’s face, for instance, when he caught up with us for the last time, just outside the village. His eyes were streaming with tears, of exhaustion or distress, or both together. But because of the wrinkles they couldn’t flow down. They spread out, crisscrossed, and formed a smooth gloss on the old, worn face.
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I'm sure you think that I don't understand what you're going through, but I do. It's just that sometimes, our future is dictated by what we are, opposed to what we want.
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Throughout my childhood, I did a form of Irish dancing that was kind of the precursor to 'Riverdance.' It was a mixture of ballet and Irish dancing that my teacher, Patricia Mulholland, had invented, essentially. It was Irish ballet, and she would create performances based around the myths and legends of Ireland.
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As a rule, all relationships go through their ups and downs. It's really about how much you want it.
