Daniel Berehulak Quotes
The photographers I worked alongside loved the news cycle and the hustle and getting that front page of the newspaper. But I wanted to be out in the field in conflict areas, documenting real life rather than political theater.

Quotes to Explore
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I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.
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Time has lost all meaning in that nightmare alley of the Western world known as the American mind.
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I watch a lot of home stuff; I like seeing things go from one thing to another and get fixed up.
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I like to discover new things.
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My mom and stepdad were strict. I couldn't date; I couldn't go out. And I was a kid who was never good at just taking no for an answer. I needed to understand why. And sometimes they weren't interested in explaining.
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A leader is best when people barely know he exists, when his work is done, his aim fulfilled, they will say: we did it ourselves.
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In 1255, Louis IX of France presented an elephant to Henry III of England to add to the menagerie of exotic animals he kept in the Tower of London.
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I sometimes look around that studio in the middle of commercials and think, 'Really?'
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We are like a woman with a difficult pregnancy. We have to rebuild the social classes in Egypt, and we must change the way things were.
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I've been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too - what I should wear.
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As you get older, you get different, and I'm a mushier, softer person as I get older.
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I will say I am the sum of my books.
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Beware how you take away hope from another human being.
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I've turned down twentysomething million dollars for movies.
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I want to see Brian Williams with no irony wearing a mustache.
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You can show me some stick ice cream and I can tell you if it's good or not just looking at it.
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When I record something, I'll take a drive and just listen.
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I know that often times a lot of people who work in music, whether they be labels and so on or even artists, want personal recognition. We want to be recognized for something, for what we did. I'd rather my song be recognized for what it's doing and that's important. It's not so important how many people know me.
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I like being in the '60s.
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I've had albums out since the 1970s. I was in a musical, 'The Boy Friend,' directed by Ken Russell, and I was on Broadway in 'My One And Only' with Tommy Tune, so I've always been a singer, but I suppose people think of my modelling more.
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Even though we work in the same field, we have an intense private life away from our professional lives.
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If you're a writer, you just keep following the path - keep going deeper and deeper into the things that interest you.
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The photographers I worked alongside loved the news cycle and the hustle and getting that front page of the newspaper. But I wanted to be out in the field in conflict areas, documenting real life rather than political theater.