Daniel Kahneman Quotes
When people talk of the economy being strong, they don't seem to feel that they, too, are better off.
Quotes to Explore
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We all have these challenges and stereotypes that exist, but you can't let that hold you down... If that's the first thing you think about as a black woman - the challenge that lies ahead - you are thinking in the wrong direction, in my opinion.
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I don't eat animals. I rescue strays and take injured pigeons to the wildlife rehab. I carry spiders and wasps outside in a cup covered with a 3x5 card. It would only follow that I'd take pause when contemplating the abrupt and apparently brutal ending of a tiny human being's life, or even a potential human being's life.
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When the depths are upheld by the Holy Spirit, then the reaction is Christian.
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Whatever you got you have to accentuate. I ran my female card up and down the ladder my whole career, because I was in a man's world. It was worked by women but owned by men. I was the only female owner in my field at that time.
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We know too much, and are convinced of too little. Our literature is a substitute for religion, and so is our religion.
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If you write genre fiction, you follow the rules, and you have to follow them because readers expect that.
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There had always been black people in and out of our house, and from the outset I had been taught that for them life was defined by struggle and filled with injustice.
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Anyone who is interested in the psychology of children will have observed that whereas one child will resist temptation or seduction, another will easily yield to it. There are children who will hardly oppose any resistance to the invitation of an unknown person to follow him; others who react in an opposite way in the same circumstances.
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I take my kids to school... I make them breakfast. Unfortunately, dad is a big spoiler, and most days, I make four different breakfasts.
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I played a lot of squash for a lot of years.
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No one really knows who I am or where I came from in America, and there's something quite nice about that.
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I've always been singing. Since day one. I started doing musical theater and you have to sing in musical theater and so that's where I got most of my training. So singing on stage, you just inevitably, when you're around other vocal artists, you get better at singing.
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'Dhruva' will have them glued to their seats throughout, and I'm sure of that.
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We are all afraid for our confidence, for the future, for the world. That is the nature of the human imagination. Yet every man, every civilization, has gone forward because of its engagement with what it has set itself to do.
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I grew fond of acting rather late. And that was because I was not getting any job. I had a few friends in Delhi who were associated with theater. They took me to see some plays in Delhi and Baroda. That led me to believe the I could also act. And it was after that I joined National School of Drama in 1993.
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In terms of the mechanics of story, myth is an intriguing one because we didn't make myth up; myth is an imprinture of the human condition.
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When I was in high school, I was doing all the plays. My drama teacher, Melody Duggan, was the one one who first made me do stand-up. She's the origin of the whole thing; it's all her. In high school in Denver, that was kind of the beginning of it all.
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I don't stop at my past; I like new work. I like what I'm doing tomorrow.
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I need to have a great deal of control and the ability to share my control with my collaborators and grant them the freedom and the quality of work I think these people deserve. If I don't have those elements, I walk away.
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There's a movie called 'Elizabeth: The Golden Age,' where I'm playing the King of Spain. It's a small role, but it's really, really interesting, the way I constructed it.
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The very freedom and expressiveness we find missing in life we find present in art.
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I am no longer the left behind. I am the living. And I want everything this life has to offer. I stop for a second and look around at all the shops and stores and stalls. At all the people, going about their days, at all the moments they're living. This is what I want. I want to live every moment. I want to feel everything.
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Shooting at a man who is returning the compliment means going into action with the greatest speed of which a man's muscles are capable, but mentally unflustered by an urge to hurry or the need for complicated nervous and muscular actions which trick shooting involves.
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When people talk of the economy being strong, they don't seem to feel that they, too, are better off.
