Mark Consuelos Quotes
For a couple of years, I focused more on producing because I wanted to be close to home, after traveling a lot for work.
Quotes to Explore
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It's hard to make a good movie in four weeks. It's hard. I've done it, but it's not easy.
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To disregard the obvious is not a good trait in a leader in any situation.
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I've failed those I care most about and let down the people who elected me to represent them.
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When you write, you don't have the social constraints of having people in front of you, so you talk about abstract matters.
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Denied anything ardently desired, the individual or state will argue and parley just so long - then, if the impelling motive be sufficiently great, will cast aside every rule and break down every acquired inhibition, plunging viciously after the object wished; all the more fantastically savage because of previous repression.
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There is a humanitarian impulse that one aspires to and there are days when one doesn't do it very well.
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There's never really been a real hood Christmas movie.
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I don't know what to do or where to turn in this taxation matter. Somewhere there must be a book that tells all about it, where I could go to straighten it out in my mind. But I don't know where the book is, and maybe I couldn't read it if I found it.
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You need to make a trip to Des Moines in August, because the Iowa State Fair really is a sight to see. The Iowa Fairgrounds are usually packed for those 11 days, and you get a real sense of what a classic Midwest fair is all about.
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When you're a teenage girl, a lot of being pretty has to do with your hair.
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I hate being manipulated by song. Don't tell me what I should be feeling. I don't want cellos or violins to be telling me that I should be bawling right now.
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I never, never thought one day I will sing at La Scala or I will get the Grammy. I'm lucky. I work a lot with a teacher, with my coach.
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When you get to the point where you're established enough that people link you with something, especially being an action hero babe, it's awesome. Because then you can fight the battles and have the crossbows and wrestle with swords and ride the horses because you're already believable; people see you in that genre.
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I'm not the kind of actress that goes home with the character. I mean, you're thinking about the work or the next day's scenes, but not staying in character. But as a film goes on, you become more and more fragile, emotionally. And physically too, actually.
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I'm more comfortable revealing myself than hiding behind metaphors. I respond to artists who reveal something of themselves.
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When I started playing in bands, we had to be apologetic for what we did. We had to be apologetic because the mainstream was so bad.
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I graduated from the University of Oklahoma, and I got the opportunity to take some on-camera classes while I was in school and met a casting director who informed me quite a bit before my move out to L.A.; it made L.A. feel possible, coming from Oklahoma and not having a family that was in the industry.
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There is a difference between jaywalking and grand larceny.
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You have to try to grow between every fight: get back in the gym and keep working hard and find the areas that you need to work on. See what you did wrong and work on it.
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It's hard sometimes if you think a character should look a certain way and you're being pushed to do it differently. I've had fights over that. That's why it's so important that you work with good people.
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Markets work when people can evaluate the prices and risks of different products, then pick the ones that work best for them. But when the terms of the deal are hidden, competition doesn't work. And customers aren't the only ones who are hurt.
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For a couple of years, I focused more on producing because I wanted to be close to home, after traveling a lot for work.
