Bill Conti Quotes
There's a higher place that I have no illusions about reaching. There's a sophistication and aesthetic about composers who only write only for the music's sake.
Quotes to Explore
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Well, we like to let down our hair and pep it up at the dances, but we keep it slower when we broadcast. We have to please everybody, and that softer music appeals to the larger amount of people. It's like eating too much cake. You have to have your steak too.
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I don't want to put my fate in country music fans; I'm too stubborn.
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
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As you begin to realize that every different type of music, everybody's individual music, has its own rhythm, life, language and heritage, you realize how life changes, and you learn how to be more open and adaptive to what is around us.
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I love music; I come from a region of Kurdistan that is a base for music.
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I actually spend very little time listening to any new music.
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As a teenager I had friends who had little music studios in their bedrooms and garages. I'd go and play around; very soon, my hobby became a passion.
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With Ghost Tunes, you just try to do what's right. And what's right is whatever the copyright owner wants to do with their music, they do it.
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Young kids should be doing music that has shock value. They'll grow out of it.
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I don't have specific music for when I'm writing. I'm usually listening to the same playlist or 'artist' before I arrive at the computer as when I'm walking somewhere after leaving the computer.
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I'm very honest in my music and I'm often asked to explain the lyrics; as an introvert, I find that quite hard. And I always wear high heels on stage, which can be painful.
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The type of music we know as classical music began with rich people hiring musicians or owning them in a way. Without funding, it's very hard to have this experience. Be it state money or private money, there has to be someone dedicated to raising the money.
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If architecture is frozen music then music must be liquid architecture.
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I firmly disbelieve that one has to be a tortured soul to write good music.
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But I really believe that you don't do music because you want to, you do it because you have to.
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I wish the music business was a much easier thing, but you know what? Nothing easy is worth anything. So it is what it is. There comes a time when things can work out and everybody can be happy. And that's what it's all about in the end - everybody being happy and working it out.
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I think that music is still art, even if it's commercialised.
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For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
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Understand, our police officers put their lives on the line for us every single day. They've got a tough job to do to maintain public safety and hold accountable those who break the law.
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I don't back down. Like, I don't know how to flop. That's never been a part of my game. For me to know if a guy likes to turn left shoulder or right shoulder in the post, I have an advantage. Or if he likes to go left all the time, I have an advantage. Or if he can't make open jump shots, I have an advantage.
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The bottom line is that your performance is made in the editing room.
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Spirit is a land of high white peaks and glittering jewel-like lakes and flowers. Life is sparse and sounds travel great distances.
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There's a higher place that I have no illusions about reaching. There's a sophistication and aesthetic about composers who only write only for the music's sake.
