Dante Alighieri Quotes
Quotes to Explore
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I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.
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I'm interested in the acting and staging of specific emotions, and so I work with actors. It's a small proportion of what I do, but it's always what people seem to focus on.
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I think I was given a gift to play golf and to be mentally strong.
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A teacher should have a creative mind.
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When I arrived to study at Oxford in October 1963, the bohemian style was black plastic or leather jackets for women and black leather or navy donkey jackets for men. I stuck to cavalry twills and a duffle coat, at least for a few months.
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People think that if you have a huge appetite, then you'll be better at it. But actually, it's how you confront the food that is brought to you. You have to be mentally and psychologically prepared.
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It's easy to forget the ever-plodding eBay with all the noise made by the more lithe and lively Web 2.0 companies.
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When you have young children, it is hard to see live performances. Unless I am in it. I do manage to see my husband Rupert Goold's work, of course.
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The difference between the Bush I war against Iraq and the Bush II war against Iraq is that in the first one, we appealed to the sentiments and interests of the different groupings in the region and had them with us. In the second one, we did it on our own, on the basis of false premises, with extremely brutality and lack of political skill.
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You must work very hard to become a natural golfer.
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We've only explored about five percent of our ocean. There are great discoveries yet to be made down there, fantastic creatures representing millions of years of evolution and possibly bioactive compounds that could benefit us in ways that we can't even yet imagine.
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I had this revelation, you are a lot better at the between-song stuff than you are at the song stuff. That was devastating. And I usually find devastating things to be pretty valuable.
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I want to play a variety of different characters in different genres of film.
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When they see those fourteen lights, they're looking at a miracle. And deep down, they feel that whatever's going to happen, there will be someone there to help them. And that fills them with hope.
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I'm intrigued by films that have a singular vision behind them. A lot of studio movies have ten writers by the time they're done. You have a movie testing 200 times, making adjustments according to various people's opinions. It's difficult to have an undistilled vision.
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In Britain, you know there are people waiting to tear your stuff apart, so it's important for me to know that my music has subtleties and depth to it.
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Title IX came along and changed a lot of things for the better, but nevertheless, it meant that money became more important.
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In the practice of tolerance, one's enemy is the best teacher.
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Because I was once a reporter, I've always felt a sense of estrangement inside the newsroom. The field is alive and interactive, while the newsroom is quiet and stereotypical.
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One of the things about being raised British in Africa is that you get this double whammy of toughness. The continent in place itself made you quite tough. And then you've got this British mother whose entire being rejects 'coddling' in case it makes you too soft. So there's absolutely nothing standing between you and a fairly rough experience.
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When a script like 'Hardflip' comes along, with a real depiction of the rewards of a father-son relationship but also the difficulties of building one, you have my attention.
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There is no conservative party left in Washington. Conservative thinkers and writers who were to be the watchdogs of orthodoxy have been as vigilant in policing party deviations from principle as was Cardinal Law in collaring the predator-priests of the Boston archdiocese.
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Oncoming death is terrible enough, but worse still is oncoming death with time to spare, time in which all the happiness that was yours and all the happiness that might have been yours becomes clear to you. You see with utter lucidity all that you are losing.
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E tu che se' costì, anima viva,pàrtiti da cotesti che son morti.
