Kehinde Wiley Quotes
It's amazing how, in New York, there is almost a feeling of entitlement by the public - this very palpable lack of surprise at being stopped in the street and being asked to be the subject of a 12-foot monumental painting.
Quotes to Explore
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For most people, it is enough for the world to know that they aspire. The world does not ask what their aspirations are, trusting that those aspirations are for the best and greatest things. But with regard to the Negroes in America, there is a feeling that their aspirations in some way are not consistent with the great ideals.
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You rarely get satisfaction sitting in an easy chair. If you work in a garden on the other hand, and it yields beautiful tomatoes, that's a good feeling.
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Since I was a child, I have had this feeling that the most important work I'd do would be with my family.
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I have a ridiculous fear of sharks but I'd jump in the water in a second for an amazing role.
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I will keep painting until I die.
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I have one son. Of everything I've done in my life, nothing matches the feeling of having life growing inside you.
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When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
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At Harvard, I got to meet and have dinner with Jamaica Kincaid. Just to have conversations with professors was absolutely amazing.
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I got a job as soon as I could - 11 or 12. I started babysitting and then I got a part-time job at a pharmacy in England. I just remember loving the feeling of going out and buying my own clothes! I'd go bargain-hunting and get secondhand vintage stuff.
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Does art have a future? Performance genres like opera, theater, music and dance are thriving all over the world, but the visual arts have been in slow decline for nearly 40 years. No major figure of profound influence has emerged in painting or sculpture since the waning of Pop Art and the birth of Minimalism in the early 1970s.
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Shame is the feeling you have when you agree with the woman who loves you that you are the man she thinks you are.
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I really hated school. I had the feeling I was losing a lot of time.
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Painting is a source of endless pleasure, but also of great anguish.
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If you think about work, it's just this endlessly fascinating subject. We spend at least half of our waking hours working. So it becomes this incredible window into a whole variety of things: who we are human beings, how the economy works, how people relate to each other, how stuff is made, how the world spins on its axis.
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There's a market for mysteries for adults. That feeling of opening a book and delving inside and not coming out until you've closed the book.
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What is it precisely, that feeling of 'returning' from a poem? Something is lighter, softer, larger - then it fades, but never completely.
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I wrote as a kid, but I never wanted to be a writer, particularly. I had been drawing and painting for years and loved that.
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It's amazing what you'll discover if you start exploring what God has placed within you.
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I saw some amazing, beautiful, invigorating parts of America, but I saw some dark parts of America, an ugly side of America, a side of America that rarely sees the light of day. I refer, of course, to the anus and testicles of my co-star, Ken Davitian.
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To be used in a part without depth is a frustrating feeling, when you know you have something to give.
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The whole theory of the universe is directed unerringly to one single individual.
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It is important to choose your director and co-stars well.
Jacqueline Fernandez -
Time has stopped; time is racing. Lochie's lips are rough yet smooth, hard yet gentle. His fingers are strong: I feel them in my hair and on my neck and down my arms and against my back. And I never want him to let me go.
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It's amazing how, in New York, there is almost a feeling of entitlement by the public - this very palpable lack of surprise at being stopped in the street and being asked to be the subject of a 12-foot monumental painting.
